{"title":"Provenance visualization: Tracing people, processes, and practices through a data-driven approach to provenance","authors":"T. Vancisin, Loraine Clarke, M. Orr, Uta Hinrichs","doi":"10.1093/llc/fqad020","DOIUrl":null,"url":null,"abstract":"\n Provenance disclosure—the documentation of an artifact’s origin and how it was produced—is an important aspect to consider when working with historical records which undergo multiple transformations in preparation for and during digitization. Provenance in this context is commonly communicated through explanatory text or static diagrams. However, the methodological and curatorial decisions that have influenced the records’ data are easily overlooked, in particular when exploring the records through visualization as a result of digitization processes. We propose a data-driven approach to provenance disclosure which (1) traces provenance back to when the records were created, (2) documents and categorizes the records’ transformations (transcriptions, content modifications, changes in organization, and representational form), and (3) uses data visualization to disclose provenance in interactive ways. We reflect on how this approach can be practically applied in the context of historical record collections, and we present findings from a qualitative study we conducted to investigate the merits and limitations of provenance-driven visualization. Our findings suggest that data-driven provenance disclosure has the potential to (1) promote transparency and deeper interpretations of historical records, (2) provide rigor in researching historical document collections and underlying production processes, and (3) encourage ethical considerations by making visible labor and implicit bias that influence the production and curation of historical records.","PeriodicalId":45315,"journal":{"name":"Digital Scholarship in the Humanities","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Digital Scholarship in the Humanities","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1093/llc/fqad020","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Provenance disclosure—the documentation of an artifact’s origin and how it was produced—is an important aspect to consider when working with historical records which undergo multiple transformations in preparation for and during digitization. Provenance in this context is commonly communicated through explanatory text or static diagrams. However, the methodological and curatorial decisions that have influenced the records’ data are easily overlooked, in particular when exploring the records through visualization as a result of digitization processes. We propose a data-driven approach to provenance disclosure which (1) traces provenance back to when the records were created, (2) documents and categorizes the records’ transformations (transcriptions, content modifications, changes in organization, and representational form), and (3) uses data visualization to disclose provenance in interactive ways. We reflect on how this approach can be practically applied in the context of historical record collections, and we present findings from a qualitative study we conducted to investigate the merits and limitations of provenance-driven visualization. Our findings suggest that data-driven provenance disclosure has the potential to (1) promote transparency and deeper interpretations of historical records, (2) provide rigor in researching historical document collections and underlying production processes, and (3) encourage ethical considerations by making visible labor and implicit bias that influence the production and curation of historical records.
期刊介绍:
DSH or Digital Scholarship in the Humanities is an international, peer reviewed journal which publishes original contributions on all aspects of digital scholarship in the Humanities including, but not limited to, the field of what is currently called the Digital Humanities. Long and short papers report on theoretical, methodological, experimental, and applied research and include results of research projects, descriptions and evaluations of tools, techniques, and methodologies, and reports on work in progress. DSH also publishes reviews of books and resources. Digital Scholarship in the Humanities was previously known as Literary and Linguistic Computing.