Is the Future Soviet? USSR-2061 and the Reality of Utopia

Q2 Arts and Humanities
Roman Privalov
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引用次数: 0

Abstract

USSR-2061 is a Russian futuristic online project that imagines a new USSR a century after Gagarin’s journey into space. This article connects the project to Soviet space utopianism and the nostalgia that followed it, while seeing USSR-2061 and its artefacts in the light of utopian studies. In particular, the project’s hesitation with regard to utopianism and its thirst for realism are situated within a classical utopian problem of how to achieve real, not only imaginary, transformations. Such realism generally coincides with Levitas’ (2013) framework of utopia as a method, and, as the analysis shows, it hinders the construction of “an image of a future” at which the project aims. Instead, the resulting narratives and visions commonly overlap with the official Russian political discourse that makes use of Soviet nostalgia, or fall into retrofuturistic replications of commonly satirized Soviet discourses. However, a different way of constructing utopia is also present in USSR-2061, even if it is never highlighted. To make utopia possible in anti-utopian times, one might need to rethink its place of possibility or topos. Theoretically, such an alternative is presented in connection to Latour’s (2017) Terrestrial, a place with agency that in utopian terms presupposes a transgression of the boundary between the real and imaginary, the political and cultural. In the same line, the paper argues that USSR-2061 might attempt the construction of a new utopia through rethinking space. This might be fostered through the inclusion of cosmist ideas such as those of Vladimir Vernadsky and Alexander Chizhevsky, whose intersections with Latourian framework have previously been observed.
未来是苏联吗?苏联-2061和乌托邦的现实
USSR-2061是一个俄罗斯未来主义在线项目,设想在加加林太空之旅一个世纪后建立一个新的苏联。本文将该项目与苏联的太空乌托邦主义和随之而来的怀旧联系起来,同时从乌托邦研究的角度来看USSR-2061及其人工制品。特别是,该项目对乌托邦主义的犹豫和对现实主义的渴望,都属于如何实现真实而不仅仅是想象的转变的经典乌托邦问题。这种现实主义通常与Levitas(2013)关于乌托邦作为一种方法的框架相吻合,正如分析所示,它阻碍了该项目所追求的“未来形象”的构建。相反,由此产生的叙事和愿景通常与利用苏联怀旧情绪的俄罗斯官方政治话语重叠,或者落入对通常被讽刺的苏联话语的复古复制。然而,USSR-2061中也出现了一种不同的乌托邦构建方式,即使它从未被强调过。为了使乌托邦在反乌托邦时代成为可能,人们可能需要重新思考它的可能性或拓扑。从理论上讲,这样一种选择是与拉图尔(2017)的《大地》(Terrestrial)有关的,这是一个有代理权的地方,用乌托邦的术语来说,它预设了对真实与想象、政治与文化之间界限的超越。同样,论文认为,USSR-2061可能试图通过重新思考空间来构建一个新的乌托邦。这可能是通过纳入Vladimir Vernadsky和Alexander Chizhevsky等化妆师的思想来促进的,他们与拉图里框架的交叉点以前已经被观察到。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Praktyka Teoretyczna
Praktyka Teoretyczna Arts and Humanities-Literature and Literary Theory
CiteScore
0.40
自引率
0.00%
发文量
24
审稿时长
20 weeks
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