The second masking

IF 0.1 0 MUSIC

Jazz Research Journal Pub Date : 2019-11-14 DOI:10.1558/jazz.40105

Corey Mwamba

引用次数: 1

Abstract

This article is a condensed summary of the author’s primary research. Using music, prose, and free verse, I seek to highlight the issues that work revealed within jazz and improvised music studies, and studies into vibraphone practice; briefly show the practical-philosophical roots of my methodology in the research; and present the practice-led roots of my current philosophy of the vibraphone.

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第二次掩蔽

这篇文章是作者初步研究的简明总结。利用音乐、散文和自由诗，我试图突出在爵士乐和即兴音乐研究中揭示的问题，以及对颤音琴练习的研究;简要说明我的研究方法的实践哲学根源;并介绍我目前的颤音琴哲学的实践根源。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Jazz Research Journal MUSIC-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Jazz Research Journal explores a range of cultural and critical views on jazz. The journal celebrates the diversity of approaches found in jazz scholarship and provides a forum for interaction and the cross-fertilisation of ideas. It is a development and extension of The Source: Challenging Jazz Criticism founded in 2004 at the Leeds College of Music. The journal aims to represent a range of disciplinary perspectives on jazz, from musicology to film studies, sociology to cultural studies, and offers a platform for new thinking on jazz. In this respect, the editors particularly welcome articles that challenge traditional approaches to jazz and encourage writings that engage with jazz as a discursive practice. Jazz Research Journal publishes original and innovative research that either extends the boundaries of jazz scholarship or explores themes which are central to a critical understanding of the music, including the politics of race and gender, the shifting cultural representation of jazz, and the complexity of canon formation and dissolution. In addition to articles, the journal features a reviews section that publishes critical articles on a variety of media, including recordings, film, books, educational products and multimedia publications.