“The room is a mess”: Exploring the co-creation of space for attunement dynamics between an autistic child and a non-autistic music therapist

IF 1.6 4区 医学 Q2 REHABILITATION
K. Mössler, J. Halstead, Maren Metell, Katja Gottschewski, W. Schmid
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引用次数: 1

Abstract

ABSTRACT Introduction Music therapy practice and research in the field of autism has often followed medical narratives that reinforce neurotypical normalcy by locating the difficulties of social interaction in the autistic person. By exploring the relational phenomenon of attunement, this paper focuses on the social and material ecology of interactions. The authors try to unpack circumstances that can support or hinder attunement dynamics between autistic and non-autistic people. Method A video-vignette from music therapy with an autistic boy, who explores the sound of building blocks formed the point of departure for this research. The vignette was self-identified by the music therapist as an apparently failed attunement experience. Based on this vignette, we conducted an interview with the therapist and focus groups with parents of autistic children and colleagues from different professions, one of whom is autistic. We used an interpretative hermeneutical methodology for crystallisation of perspectives. Results We uncovered four spaces that impacted on the mutuality and co-creation of attunement dynamics. The room (physical space), the school context (professional space), and the material (sensory space) afford the interaction (relational space) between the child and the therapist in enabling and disabling ways. Listening to the child's sound making with the building blocks was identified as the autistic child’s way of knowing and sounding that needs to be listened to carefully, rather than being questioned or disregarded. Discussion Findings of this research might encourage therapists to foster an understanding of social interaction that is mutually co-constituted and enactive, and that contradicts the mainstream pathologisation of autism.
“房间是一团乱”:探索自闭症儿童和非自闭症音乐治疗师之间的协调动态空间的共同创造
自闭症领域的音乐治疗实践和研究通常遵循医学叙事,通过定位自闭症患者的社会互动困难来强化神经正常。通过对“调谐”相关现象的探索,本文关注互动的社会生态和物质生态。作者试图解开可能支持或阻碍自闭症患者和非自闭症患者之间的调谐动态的环境。方法一个自闭症男孩的音乐治疗视频片段,他探索了积木的声音,形成了本研究的出发点。这个小插曲被音乐治疗师自己认定为一个明显失败的调谐体验。基于这个小插曲,我们对治疗师进行了采访,并与自闭症儿童的父母和来自不同行业的同事进行了焦点小组讨论,其中一位是自闭症患者。我们使用了一种解释性解释学方法来结晶观点。结果我们发现了四个影响调谐动力学相互性和共同创造的空间。房间(物理空间)、学校环境(专业空间)和材料(感官空间)提供了儿童和治疗师之间的互动(关系空间)。倾听孩子用积木发出的声音被认为是自闭症儿童了解和发出声音的方式,需要仔细倾听,而不是被质疑或忽视。这项研究的发现可能会鼓励治疗师培养一种对社会互动的理解,这种互动是相互共同构成和主动的,这与自闭症的主流病理相矛盾。
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来源期刊
CiteScore
3.50
自引率
12.50%
发文量
45
期刊介绍: Nordic Journal of Music Therapy (NJMT) is published in collaboration with GAMUT - The Grieg Academy Music Therapy Research Centre (Uni Health and University of Bergen), with financial support from Nordic Board for Periodicals in the Humanities and Social Sciences and in co-operation with university programs and organizations of music therapy in the Nordic and Baltic countries. The Nordic Journal of Music Therapy serves the international community of music therapy by being an avenue for publication of scholarly articles, texts on practice, theory and research, dialogues and discussions, reviews and critique. Publication of the journal is based on the collaboration between the music therapy communities in the five Nordic countries of Denmark, Finland, Iceland, Norway and Sweden and the three Baltic Countries of Estonia, Latvia and Lithuania. This international but still regional foundation offers a platform for development of communication with the broader international community of music therapy. Scholars from all over the world are welcomed to write in the journal. Any kind of scholarly articles related to the field of music therapy are welcomed. All articles are reviewed by two referees and by the editors, to ensure the quality of the journal. Since the field of music therapy is still young, we work hard to make the review process a constructive learning experience for the author. The Nordic Journal of Music Therapy does not step aside from active engagement in the development of the discipline, in order to stimulate multicultural, meta-theoretical and philosophical discussions, and new and diverse forms of inquiry. The journal also stimulates reflections on music as the medium that defines the discipline. Perspectives inspired by musicology and ethnomusicology are therefore welcomed.
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