Surveying digital musical instrument use in active practice

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2021-10-20 DOI:10.1080/09298215.2022.2029912

John Sullivan, C. Guastavino, M. Wanderley

引用次数: 2

Abstract

Digital musical instruments are frequently designed in research and experimental performance contexts but few are taken up into sustained use by active and professional musicians. To identify the needs of performers who use novel technologies in their practices, a survey of musicians was conducted that identified desirable qualities for instruments to be viable in active use, along with attributes for successful uptake and continued use of instruments based on frameworks of long and short term user engagement. The findings are presented as a set of design considerations towards the development of instruments intended for use by active and professional performers.

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调查数字乐器在实践中的使用情况

数字乐器经常在研究和实验表演环境中设计，但很少有活跃的专业音乐家持续使用。为了确定在实践中使用新技术的表演者的需求，对音乐家进行了一项调查，确定了乐器在积极使用中可行的理想品质，以及基于长期和短期用户参与框架的成功使用和持续使用乐器的属性。这些发现是为开发供活跃和专业表演者使用的乐器而提出的一系列设计考虑因素。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.