Ever-shifting roles in building, composing and performing with digital musical instruments

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2021-03-15 DOI:10.1080/09298215.2021.1900275

Koray Tahiroglu

引用次数: 5

Abstract

It is widely accepted that computational technologies shape the relationship of musicians, instrument builders and composers with music, affecting various socio-cultural realisms in music. In this article, I discuss in what ways music-making still emerges as a social construct, even as a result of the mutual cooperation with human musicians and AI-powered autonomous instruments. I argue that building, making, and performing with a digital musical instrument has undergone a gradual socio-technological change that has affected art, science, technology, culture and communities in general. I support my investigation through the current performance and composition practice of the autonomous AI-terity musical instrument.

查看原文本刊更多论文

在数字乐器的构建，作曲和表演中不断变化的角色

人们普遍认为，计算技术塑造了音乐家、乐器制造商和作曲家与音乐的关系，影响了音乐中的各种社会文化现实。在这篇文章中，我讨论了音乐制作在哪些方面仍然是一种社会结构，即使是与人类音乐家和人工智能驱动的自主乐器相互合作的结果。我认为，用数字乐器建造、制作和表演已经经历了一场渐进的社会技术变革，这场变革影响了艺术、科学、技术、文化和整个社区。我支持我的调查，通过目前的表演和组成实践的自主AI terity乐器。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.