{"title":"“The worst of both worlds\": The Familiar e-books and their unhandy limitations.","authors":"Ian Ezerin","doi":"10.16995/orbit.8335","DOIUrl":null,"url":null,"abstract":"The commercial longevity and actual continuity of Mark Z. Danielewski’s series The Familiar was, by default, subject to the audience’s enthusiasm about it. But the latter hinges on a number of factors, which include not only the appeal of the plot and the author’s cult status, but also, importantly, the material conditions of the reading experience and the broader patterns of the economics of contemporary publishing industry. The argument of this essay considers the characteristics and effects of The Familiar’s somewhat inglorious digital incarnation, to infer that the absence of a ‘proper’ (i.e. medium-specific) and functional (i.e. responsive to highlighting, annotations, word selection and search, translation, and other functions afforded by digital devices) e-book edition significantly factored into the causes of the “pause” in the series’ progression, announced by the writer on February 2nd, 2018.","PeriodicalId":37450,"journal":{"name":"Orbit (Cambridge)","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-02-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Orbit (Cambridge)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.16995/orbit.8335","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
The commercial longevity and actual continuity of Mark Z. Danielewski’s series The Familiar was, by default, subject to the audience’s enthusiasm about it. But the latter hinges on a number of factors, which include not only the appeal of the plot and the author’s cult status, but also, importantly, the material conditions of the reading experience and the broader patterns of the economics of contemporary publishing industry. The argument of this essay considers the characteristics and effects of The Familiar’s somewhat inglorious digital incarnation, to infer that the absence of a ‘proper’ (i.e. medium-specific) and functional (i.e. responsive to highlighting, annotations, word selection and search, translation, and other functions afforded by digital devices) e-book edition significantly factored into the causes of the “pause” in the series’ progression, announced by the writer on February 2nd, 2018.
马克·z·丹尼莱夫斯基(Mark Z. Danielewski)的电视剧《熟悉》(The Familiar)的商业寿命和实际连续性,默认情况下取决于观众对它的热情。但后者取决于许多因素,其中不仅包括情节的吸引力和作者的崇拜地位,而且更重要的是,阅读体验的物质条件和当代出版业经济的更广泛模式。本文的论点考虑了《熟悉》不太体面的数字版本的特点和影响,推断缺乏“适当的”(即特定于媒体的)和功能(即对高亮、注释、单词选择和搜索、翻译以及数字设备提供的其他功能的响应)的电子书版本是导致该系列进展“暂停”的重要因素,作者于2018年2月2日宣布。
期刊介绍:
Orbit: Writing Around Pynchon is a journal that publishes high quality, rigorously reviewed and innovative scholarly material on the works of Thomas Pynchon, related authors and adjacent fields in 20th- and 21st-century literature. We publish special and general issues in a rolling format, which brings together a traditional journal article style with the latest publishing technology to ensure faster, yet prestigious, publication for authors.