Financing the cultural and creative industries through crowdfunding: the role of national cultural dimensions and policies.

IF 1.9 2区 经济学 Q2 ECONOMICS
Journal of Cultural Economics Pub Date : 2023-01-01 Epub Date: 2022-06-18 DOI:10.1007/s10824-022-09452-9
Antonella Francesca Cicchiello, Serena Gallo, Stefano Monferrà
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Abstract

The trend towards digitalisation and technological innovation has reshaped the cultural and creative industries (CCIs) by changing the existing funding models and structures. The aim of this article is to explore the impact of cultural dimensions and policies on the adoption of reward-based crowdfunding as a new form of finance for firms in the CCIs in 12 different European countries during the 2015-2019 period. Our results show that national cultural dimensions and policies significantly affect the demand for cultural and creative crowdfunding. Specifically, the adoption of crowdfunding is broader in individualistic countries and in societies characterised by higher uncertainty avoidance, indulgence, short-term orientation, and lower levels of discrimination between genders. Furthermore, we find that the liberal welfare state model, characterised by limited government interference, market orientation, privatisation and a focus on self-responsibility, and the Southern European welfare model, based on a weak and inefficient state, increase the adoption of crowdfunding in the CCIs. The presence of a central ministry with cultural competence also increases the adoption of crowdfunding in the CCIs. Our findings show a U-shaped relationship between European grants and the demand for crowdfunding, mainly driven by a high or low European involvement within these sectors. We also identify a moderation effect of EU grants on the relationship between cultural dimensions and crowdfunding adoption, suggesting that the magnitude of this relationship depends on the amount of EU grants awarded in a specific country. As a robustness check, we run a set of Poisson regressions with correlated random effects (CREs), confirming our main results.

Abstract Image

通过众筹为文化创意产业融资:国家文化层面和政策的作用
数字化和技术创新的趋势改变了现有的融资模式和结构,从而重塑了文化创意产业(CCIs)。本文旨在探讨在 2015-2019 年期间,文化维度和政策对 12 个不同欧洲国家的 CCI 企业采用奖励式众筹这种新融资形式的影响。我们的研究结果表明,国家文化维度和政策对文化创意众筹的需求有重大影响。具体而言,在个人主义国家和具有较高不确定性规避、放纵、短期取向以及性别歧视程度较低等特征的社会中,众筹的采用范围更广。此外,我们还发现,以有限的政府干预、市场导向、私有化和注重自我责任为特征的自由主义福利国家模式,以及以弱小、低效的国家为基础的南欧福利模式,都增加了众筹在社区倡议中的采用。具有文化权限的中央部委的存在也会增加众筹在社区倡议中的采用。我们的研究结果表明,欧洲赠款与众筹需求之间呈 U 型关系,主要受欧洲在这些领域参与程度高低的影响。我们还发现,欧盟赠款对文化维度与众筹采用之间的关系具有调节作用,表明这种关系的程度取决于特定国家获得的欧盟赠款金额。作为稳健性检验,我们运行了一组带有相关随机效应(CREs)的泊松回归,证实了我们的主要结果。
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来源期刊
CiteScore
5.20
自引率
18.50%
发文量
26
期刊介绍: Cultural economics is the application of economic analysis to all of the creative and performing arts, the heritage and cultural industries, whether publicly or privately owned. It is concerned with the economic organization of the cultural sector and with the behavior of producers, consumers and governments in that sector. The subject includes a range of approaches, mainstream and radical, neoclassical, welfare economics, public policy and institutional economics. The editors and editorial board of the Journal of Cultural Economics seek to attract the attention of the economics profession to this branch of economics, as well as those in related disciplines and arts practitioners with an interest in economic issues. The Journal of Cultural Economics publishes original papers that deal with the theoretical development of cultural economics as a subject, the application of economic analysis and econometrics to the field of culture, and with the economic aspects of cultural policy. Besides full-length papers, short papers and book reviews are also published.Officially cited as: J Cult Econ
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