A Study of the Influence of Music on Audiences’ Cognition of Animation

IF 0.3 2区 艺术学 0 FILM, RADIO, TELEVISION
Jun Wu, Jiede Wu, Chien-Wen Cheng, Chang-Chieh Shih, P. Lin
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引用次数: 1

Abstract

How do animation directors and music composers integrate personal creativity and expression into their work, and how do audiences understand and appreciate it as being important and worthy of discussion? This study explores the influence of music on audiences’ cognition of animation by using both quantitative and qualitative methods. Scholars specializing in aesthetics and music have conducted much research on music aesthetics and music itself. In recent years, further studies on music and film have also been carried out. However, there is a lack of research regarding audiences’ cognition of music in animation. This study focuses on the popular form of sand animation and provides insights into audiences’ cognition differences and preferences in order to uncover the core factors. The findings are that: (1) the audience perceived more consistent and subtle differences in the use of musical instruments, rhythm cadence and video–audio fit; there were also obvious differences in the perceptions of vocal skills, performance skills and musical style as well as emotional transmission; (2) three aspects of the audiences’ evaluation of an animation were affected by music: creativity, cultural meaning and preferences. The seven elements that constitute animation music (use of orchestration, vocal skills, musical style, rhythm cadence, performance techniques, emotional transmission and video–audio fit) exerted varying degrees of influence on the audiences’ evaluation of the animation film. Amongst these, video–audio fit was found to be the most important element, as it simultaneously affected the audiences’ evaluation in terms of creativity, cultural meaning and preferences; (3) audiences of different ages and professional backgrounds showed significant differences in evaluating animation films in terms of creativity, culture and preference; and (4) differences in music had a significant impact on audiences’ perceptions and evaluations of 10 facets of animation films, including the story content, role identification and spiritual fit.
音乐对观众对动画认知的影响研究
动画导演和音乐作曲家如何将个人的创造力和表达融入到他们的作品中,观众如何理解和欣赏它的重要性和值得讨论?本研究采用定量与定性相结合的方法探讨了音乐对观众对动画认知的影响。从事美学和音乐研究的学者对音乐美学和音乐本身进行了大量的研究。近年来,对音乐和电影也进行了进一步的研究。然而,对于动画中观众对音乐的认知,目前还缺乏相关研究。本研究以沙动画的流行形式为研究对象,分析受众的认知差异和偏好,揭示其核心因素。研究发现:(1)观众在乐器使用、节奏节奏、音像契合度等方面感知到更一致和微妙的差异;在声乐技巧、表演技巧、音乐风格和情感传递的感知上也存在明显差异;(2)音乐影响观众对动画评价的三个方面:创意、文化意义和偏好。构成动画音乐的七个要素(编曲运用、声乐技巧、音乐风格、节奏节奏、表演技巧、情感传递和音像契合)对观众对动画电影的评价产生了不同程度的影响。其中,视听契合度是最重要的因素,因为它同时影响观众对创意、文化意义和偏好的评价;(3)不同年龄、不同专业背景的观众在评价动画电影的创意性、文化性和偏好性方面存在显著差异;(4)音乐差异显著影响观众对动画电影故事内容、角色认同和精神契合等10个方面的感知和评价。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Animation-An Interdisciplinary Journal
Animation-An Interdisciplinary Journal FILM, RADIO, TELEVISION-
CiteScore
0.70
自引率
25.00%
发文量
19
期刊介绍: Especially since the digital shift, animation is increasingly pervasive and implemented in many ways in many disciplines. Animation: An Interdisciplinary Journal provides the first cohesive, international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice. The journal"s scope is very comprehensive, yet its focus is clear and simple. The journal addresses all animation made using all known (and yet to be developed) techniques - from 16th century optical devices to contemporary digital media - revealing its implications on other forms of time-based media expression past, present and future.
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