Ancient ecstatic theater and Analytical Psychology: creating space for Dionysus

Q4 Psychology
Constance Romero
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引用次数: 1

Abstract

ABSTRACTThis paper explores links between the theatrical aspect of the Dionysian archetype and Analytical Psychology. It looks at some of the Dionysian elements in Jung’s published work and follows up with a brief exploration into how some of the potentially generative aspects of the archetype continue to be suspect in current clinical practice. Plutarch’s historic anecdote about the first actor, Thespis, and his dialogue with the Athenian Magistrate, Solon, will provide a focus with which to explore Dionysian elements within the Individuation process. A final section includes a short case history illustrating Dionysian elements unfolding in the theater of Jungian analysis.
古代狂喜剧场与分析心理学:为酒神创造空间
摘要本文探讨了酒神原型戏剧化方面和分析心理学之间的联系。它着眼于荣格出版的作品中的一些酒神元素,并对原型的一些潜在生成方面如何在当前的临床实践中继续受到怀疑进行了简短的探索。普鲁塔克关于第一位演员特斯皮斯的历史轶事,以及他与雅典治安官索伦的对话,将为探索个性化过程中的酒神元素提供一个焦点。最后一节包括一个简短的案例历史,说明了酒神元素在荣格分析剧场中的展开。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
International Journal of Jungian Studies
International Journal of Jungian Studies Psychology-Applied Psychology
CiteScore
1.10
自引率
0.00%
发文量
10
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