On Demon Time

IF 0.5 Q4 ETHNIC STUDIES
P. Butler
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引用次数: 0

Abstract

I think the idea of the end of the world is over stigmatized. Meaning, the end of the world does not have to be the end of the earth—in a planetary sense. However, the malleable and seemingly perpetual nature of planet earth suggests/implies/infers the world is something different. The concept and practice of Worldbuilding places natural environment(s) (in this case earth or whatever it might be called in this new world) and places it in conversation with the mentality, sociality, geopolitical desires, agricultural imagination, and technological advancements of a collection of people. This suggests that a world is a materializing figment of an imagined landscape embodied by enough people who not only bring said world into material reality, but maintain its illusory existence as well. One might consider this as a combined will of sorts. So, the end of the world should be something less than anxiety inducing. Because in this sense it is not the end of earth and life itself, but the end of one particular mode of existence/way of life over others. The end of the world in this case would be the end of an anti-Black world, leading into as many Black worlds that could possibly ever exist/be. This essay will attempt to take a few disparate concepts (spacetime, demons, and the US popular culture concept of demon time) and weave together elements within each in an effort to postulate a necessary cocktail for the end of the world. Here, a cocktail is a potent combination of factors/ingredients converging on a particular coordinate, or set of coordinates, in spacetime. This cocktail relies on the concept of demon time to add both a local and complex ingredient; illegible to previously recognizable attempts at bringing a conclusion to white supremacist and anti-Black world(s). Here, demon time is meant to provide an initial language and framework intended to normalize Black embodiment and way(s) of life. It also acknowledges the ways Black bodies and modes of embodiment/being exist in diametric opposition to normative western conceptions of embodiment/being. I draw from quantum physics, neurobiology, and spacetime to conceptualize demon time as a portal leading to upending anti-Black world (s), while simultaneously building Black world(s)—as a multidimensional intervention/interruption and irruption of anti-Black time. An end of the world and not necessarily the earth suggests a difference in naming, referencing/indexing, epistemology, and sociality. One could go so far as to infer that the end of the world might suggest the end of present sociopolitical super powers or systems of power altogether. Even more so, it could mean the end of all known points of reference. Calling into question all points of reference might leave too many possibilities unspecified. So, for the purpose of our discussion I want to focus on the perceptual and existential foci of the world—humanity. I will do so through a Black Posthumanist lens. This kind of conceptualizing is akin to Rasheedah Phillips’ practical framework of
恶魔时间
我认为世界末日的想法被过度污名化了。也就是说,从行星的角度来说,世界的终结不一定是地球的终结。然而,地球的延展性和看似永恒的特性表明/暗示/推断世界是不同的。世界建筑的概念和实践将自然环境(在这个例子中是地球或这个新世界中任何可能被称为地球的东西)与一群人的心态、社会性、地缘政治欲望、农业想象力和技术进步联系起来。这表明,世界是一个想象景观的物化虚构,由足够多的人具体化,这些人不仅将所述世界带入物质现实,而且还维持其虚幻的存在。人们可能会认为这是一种综合意志。所以,世界末日不应该那么容易让人焦虑。因为从这个意义上说,它不是地球和生命本身的终结,而是一种特定的生存方式/生活方式对其他方式的终结。在这种情况下,世界末日将是一个反黑人世界的终结,导致许多可能存在/存在的黑人世界。本文将尝试采用一些不同的概念(时空,恶魔和美国流行文化中的恶魔时间概念),并将每个概念中的元素编织在一起,努力为世界末日假设一个必要的鸡尾酒。在这里,鸡尾酒是在时空中汇聚在一个特定坐标或一组坐标上的各种因素/成分的有力组合。这款鸡尾酒依赖于恶魔时间的概念,添加了当地和复杂的成分;对白人至上主义者和反黑人世界做出结论的先前可识别的尝试难以辨认。在这里,恶魔时间意在提供一种初始的语言和框架,旨在使黑人的化身和生活方式正常化。它也承认黑人身体和化身/存在模式的存在方式与西方规范的化身/存在概念截然相反。我从量子物理学、神经生物学和时空中汲取灵感,将恶魔时间概念化为一个通向颠覆反黑人世界的入口,同时建立黑人世界——作为反黑人时间的多维干预/中断和中断。世界末日不一定是地球末日,这表明在命名、参考/索引、认识论和社会性方面存在差异。人们甚至可以推断,世界末日可能意味着当前的社会政治超级大国或权力体系的终结。更严重的是,这可能意味着所有已知参考点的终结。对所有参考点提出质疑可能会留下太多未确定的可能性。因此,为了我们讨论的目的,我想把重点放在世界的感知和存在焦点——人性。我将通过一个黑色后人类主义的镜头来做这件事。这种概念化类似于Rasheedah Phillips的实践框架
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来源期刊
BLACK SCHOLAR
BLACK SCHOLAR ETHNIC STUDIES-
CiteScore
0.60
自引率
0.00%
发文量
37
期刊介绍: Founded in 1969 and hailed by The New York Times as "a journal in which the writings of many of today"s finest black thinkers may be viewed," THE BLACK SCHOLAR has firmly established itself as the leading journal of black cultural and political thought in the United States. In its pages African American studies intellectuals, community activists, and national and international political leaders come to grips with basic issues confronting black America and Africa.
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