The Problem of Existence of Virtual Objects from the Philosophical Perspective

Mariusz Mazurek
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Abstract

I consider the problem of existence of virtual objects, mainly their mode of existence, while omitting the issue of the criteria of their existence. I present and analyze the concepts of modes (forms, kinds) of existence of virtual objects proposed in the literature of the subject, and then I demonstrate my own position on the issue. My position on the existence of virtual objects has certain points coinciding with the already postulated views, but at the same time it differs from them in some basic aspects. In my view virtual objects are “born” in human individual consciousness as the objects of specific creative states of the mind. So initially they are private objects belonging to the individual subjective sphere. However, their final and ready forms emerge in complex processes of objectifying and autonomizing the respective private conscious states and their objects. In these processes the private objects are transformed into objects intersubjectively accessible and existing in the collective cultural sphere. In both their forms, initial and final, virtual objects are non-material entities: first subjective, then objective. The ontic status of virtual objects is very similar to the status of intangible ideas and all the non-material objects created by the human mind. The main difference consists in that virtual objects are expressed by the use computers programmes, while other non-material objects created by human beings are expressed by use of words, pictures, literature and art works, etc.
哲学视野中的虚拟物体存在问题
我考虑的是虚拟物体的存在问题,主要是它们的存在方式,而忽略了它们存在的标准问题。我提出并分析了该学科文献中提出的虚拟物体存在方式(形式、种类)的概念,然后阐述了我自己对这一问题的立场。我对虚拟物体存在的立场在某些方面与已经假设的观点一致,但同时在一些基本方面与它们不同。在我看来,虚拟物体是作为特定创造性思维状态的物体“诞生”在人类个体意识中的。因此,最初它们是属于个人主观领域的私人物品。然而,它们的最终形式和现成形式是在将各自的私人意识状态及其对象物化和自主化的复杂过程中出现的。在这些过程中,私人客体被转化为主体间可接触的客体,并存在于集体文化领域。无论是初始形式还是最终形式,虚拟物体都是非物质实体:首先是主观的,然后是客观的。虚拟物体的本体状态与人类头脑创造的无形思想和所有非物质物体的状态非常相似。主要区别在于,虚拟物体是通过使用计算机程序来表达的,而人类创造的其他非物质物体则是通过使用文字、图片、文学和艺术作品等来表达的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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