Conservators Delivering Change

IF 0.8 4区化学 0 ARCHAEOLOGY

Studies in Conservation Pub Date : 2022-07-18 DOI:10.1080/00393630.2022.2066320

Jane Henderson

引用次数: 1

Abstract

ABSTRACT This paper aims to support conservators to be recognised as positive changemakers. Effective changemakers can diagnose their experience of change, recognise their opportunity to negotiate and influence outcomes, identify the scale and depth of change required and the impact that change will have on others. Conservation practice has change at its core, with interventions on objects, collections or buildings that change them or their environment: beneficial conservation is cooperative and inclusive in how those changes are conceived and delivered. The paper considers change beyond conservation treatments offering a selection of tools and techniques to help diagnose and deliver change. The importance of engaging others in discussions and decision-making for delivering positive change is stressed.

查看原文本刊更多论文

提供零钱的保管员

摘要本文旨在支持保育员被公认为积极的变革者。有效的变革者可以诊断他们的变革经验，认识到他们谈判和影响结果的机会，确定所需变革的规模和深度，以及变革将对他人产生的影响。保护实践的核心是变化，对改变它们或其环境的物体、藏品或建筑进行干预：有益的保护是合作和包容的，包括如何构思和实现这些变化。该论文考虑了保护治疗之外的变化，提供了一系列工具和技术来帮助诊断和实现变化。强调了让他人参与讨论和决策对于实现积极变革的重要性。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Studies in Conservation 化学-分析化学

CiteScore

1.80

自引率

12.50%

发文量

审稿时长

>12 weeks

期刊介绍： Studies in Conservation is the premier international peer-reviewed journal for the conservation of historic and artistic works. The intended readership includes the conservation professional in the broadest sense of the term: practising conservators of all types of object, conservation, heritage and museum scientists, collection or conservation managers, teachers and students of conservation, and academic researchers in the subject areas of arts, archaeology, the built heritage, materials history, art technological research and material culture. Studies in Conservation publishes original work on a range of subjects including, but not limited to, examination methods for works of art, new research in the analysis of artistic materials, mechanisms of deterioration, advances in conservation practice, novel methods of treatment, conservation issues in display and storage, preventive conservation, issues of collection care, conservation history and ethics, and the history of materials and technological processes. Scientific content is not necessary, and the editors encourage the submission of practical articles, review papers, position papers on best practice and the philosophy and ethics of collecting and preservation, to help maintain the traditional balance of the journal. Whatever the subject matter, accounts of routine procedures are not accepted, except where these lead to results that are sufficiently novel and/or significant to be of general interest.