Listening to Identity: Music in 21st century Ireland

A. Blake
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引用次数: 1

Abstract

This paper firstly reviews recent scholarship on music and identity in Ireland. The review detects and discusses a set of issues around the identification of genre and nationality in a country which continues to experience a rapidly changing population structure, against which the mapping of a communal Irishness onto existing categories such as ‘traditional music’ becomes increasingly difficult. Against the grain of this recent scholarship, the paper argues that, in a postmodern and globalised consumer culture, one of the principal locations of music’s affect is through music synchronised to advertising. Having examined the musical content of a number of television advertisements, the paper concludes that the global culture they represent indicates the comparative dis-location of music, identity and Irishness.
聆听身份:21世纪爱尔兰的音乐
本文首先回顾了爱尔兰近年来关于音乐与身份认同的学术研究。这篇综述发现并讨论了一系列关于在一个人口结构持续快速变化的国家识别流派和国籍的问题,在这些问题的影响下,将爱尔兰人的共同身份映射到“传统音乐”等现有类别变得越来越困难。与最近的这项研究相反,该论文认为,在后现代和全球化的消费文化中,音乐影响的主要位置之一是通过与广告同步的音乐。通过对大量电视广告的音乐内容的考察,本文得出结论,它们所代表的全球文化表明了音乐、身份和爱尔兰性的相对错位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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