Why Do We Think There Have Been No Great Women Artists? Revisiting Linda Nochlin and the Archive

IF 0.4 1区 艺术学 0 ART
P. A. Spies-Gans
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引用次数: 2

Abstract

Abstract In 1971 Linda Nochlin published her quickly canonical “Why Have There Been No Great Women Artists?” (ARTnews 69, no. 9). She offered a powerful narrative, claiming that Western institutional structures and a lack of access to vital educational opportunities had historically prevented women from becoming “great” artists—indeed from even having the potential to achieve greatness. I suggest new visual and textual lenses through which we can update Nochlin’s narrative and reconsider women artists on their own societies’ terms, arguing that by returning to the archive, we can identify greatness and professionalism where they have eluded us before.
为什么我们认为没有伟大的女艺术家?重温Linda Nochlin和档案馆
摘要1971年,Linda Nochlin出版了她迅速出版的经典作品《为什么没有伟大的女艺术家?》(ARTnews 69,第9期)。她提供了一个强有力的叙述,声称西方的制度结构和缺乏获得重要教育机会的机会,在历史上阻碍了女性成为“伟大”的艺术家,甚至没有潜力实现伟大。我提出了新的视觉和文本镜头,通过这些镜头,我们可以更新诺奇林的叙事,并根据女性艺术家自己的社会条件重新考虑她们,认为通过回到档案馆,我们可以识别出她们以前躲避我们的伟大和专业。
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来源期刊
CiteScore
0.70
自引率
28.60%
发文量
42
期刊介绍: The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December
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