Making and Remaking Coloured Identities in the Music of Stereo Zen

Abstract

Abstract Some scholars have argued that ideas of coloured identities are in flux: being constantly made and re-made. This presentation explores how race can be used as an interpretive lens through which to understand and read the music of Stereo Zen, a funk-rock band based in Cape Town in the mid-2000s. In discussing how Stereo Zen construct and reconstruct their relationship with their coloured identity, this presentation aligns itself with scholars who argue that academic engagement with the construction of race is productive when race is seen as a “medium,” or a “method of interpretation.” As a regular guest artist appearing with the band, my position as scholar-musician has allowed me to gain unique perspectives on this music, and this presentation explores how the band repositions funk to a South African context through lyrical and musical imagery, as well as their critiques of colonial constructions of black musicality.