The Remaking of Letitia Elizabeth Landon

IF 0.4 3区 文学 0 LITERATURE
Sarah Storti
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引用次数: 2

Abstract

Abstract:The critical conversation regarding the poetic achievement of Letitia Landon has been deformed by the influence of posthumous editions that remake and misrepresent her work. Emma Roberts’s edition of The Zenana and Minor Poems of L.E.L. (1839) and Leman Blanchard’s Life and Literary Remains of L.E.L. (1841) have too often been taken by Landon scholars as reliable sources, yet both occlude and alter her poems in serious ways. Landon herself creatively recycled earlier work: much of her originality depends on her manipulation of its changing media contexts. Thinking coherently about Landon’s poetry requires an extensive acquaintance with her textual history.
莉蒂夏·伊丽莎白·兰登的翻拍
摘要:关于莉蒂夏·兰登诗歌成就的评论对话,受到了对她作品的改编和歪曲的影响。艾玛·罗伯茨版的《L.E.L.的诗》(1839年)和莱曼·布兰查德版的《L.E.L.的生平和文学遗作》(1841年)经常被兰登学者视为可靠的资料来源,但两者都以严重的方式掩盖和修改了她的诗歌。兰登自己创造性地重复了早期的作品:她的独创性很大程度上取决于她对不断变化的媒体环境的操纵。连贯地思考兰登的诗歌需要对她的文本历史有广泛的了解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
36
期刊介绍: Studies in Romanticism was founded in 1961 by David Bonnell Green at a time when it was still possible to wonder whether "romanticism" was a term worth theorizing (as Morse Peckham deliberated in the first essay of the first number). It seemed that it was, and, ever since, SiR (as it is known to abbreviation) has flourished under a fine succession of editors: Edwin Silverman, W. H. Stevenson, Charles Stone III, Michael Cooke, Morton Palet, and (continuously since 1978) David Wagenknecht. There are other fine journals in which scholars of romanticism feel it necessary to appear - and over the years there are a few important scholars of the period who have not been represented there by important work.
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