One Dream Man versus Twenty-Five Women with Dreams: Gender and Ambition in the Bachelor Japan

IF 0.4 Q3 AREA STUDIES
Alexandra Hambleton
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引用次数: 0

Abstract

ABSTRACT With a flashy montage, viewers of television show The Bachelor Japan (2017–present) are introduced to Japan’s inaugural bachelor, 35-year-old Kubo Hirotake. Kubo is described as everything women in Japan are said to want – he is tall, handsome, sporty, highly educated, and most importantly, rich. In the program Kubo is presented with a pool of 25 potential marriage partners and charged with finding the woman of his dreams in what producers describe as the ultimate modern fairy tale, a ‘heated battle’ for the heart of the perfect man. Appearing at a time in Japan when marriage rates are at an all-time low and young people increasingly deem romantic love unimportant to their lives, the program may on initial viewing be a treatise on the importance of marriage. On closer inspection however, the politics of The Bachelor Japan reveal the dreams of contemporary Japanese women and the pressures they face surviving a society hostile to their independence. In this article I argue that The Bachelor Japan, far from following the traditional fairy tale narrative in which a woman is rescued by a handsome prince, instead shows women on a completely new path – one on which they may become princesses on their own terms.
一个梦中人与二十五个有梦的女人:单身日本的性别与野心
摘要:《单身汉日本》(2017年至今)以一段华而不实的蒙太奇镜头,向观众介绍了日本首位单身汉、35岁的久保广武。久保被描述为日本女性想要的一切——他高大、英俊、运动、受过高等教育,最重要的是,他富有。在这个节目中,久保健被介绍了25位潜在的婚姻伴侣,并负责在制片人所说的终极现代童话中找到他梦想中的女人,这是一场争夺完美男人芳心的“激烈战斗”。久保健出现在日本,当时结婚率处于历史最低水平,年轻人越来越认为浪漫爱情对他们的生活不重要,这个节目在最初观看时可能是一篇关于婚姻重要性的论文。然而,仔细观察,《单身汉日本》的政治揭示了当代日本女性的梦想,以及她们在一个反对独立的社会中生存所面临的压力。在这篇文章中,我认为《单身汉日本》并没有遵循传统的童话故事,即一个女人被一个英俊的王子救了出来,而是向女性展示了一条全新的道路——她们可以按照自己的方式成为公主。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Japanese Studies
Japanese Studies AREA STUDIES-
CiteScore
0.90
自引率
20.00%
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