Multimodal Chronotopes: Embodying Ancestral Time on Quichua Morning Radio

IF 1 4区 社会学 Q2 ANTHROPOLOGY
Signs and Society Pub Date : 2019-01-01 DOI:10.1086/700641
Georgia Ennis
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引用次数: 4

Abstract

This article considers the multimodal enregisterment of an ancestral time-space in indigenous-language media production. Beginning from the insight that chronotopes engage semiotically mediated, subjective experiences of time, space, and social personhood (Wirtz 2016; Hartikainen 2017), I use ethnographic evidence from lowland Ecuadorian Quichua (Kichwa) radio production and reception to explore the semiotic recalibration of the wayusa upina, the guayusa-drinking hours as a register of media performance aimed at cultural revival. Identified as one of the most significant and endangered spaces for transmitting cultural and linguistic knowledge, the nondiscursive signs and material practices used in multimodal lowland Quichua radio productions reconstitute the ancestral guayusa-drinking hours, indexically linking it to the voices and knowledge of still living elders. In doing so, these programs attempt to establish a counterchronotope of remembering, which contrasts with a widely circulating chronotope of endangerment.
多模态时钟:体现祖先时间在雀花早间电台
本文考虑了土著语言媒体制作中祖先时空的多模式注册。从时间符号参与时间、空间和社会人格的符号中介的主观体验这一观点开始(Wirtz 2016;Hartikainen 2017),我使用来自厄瓜多尔低地基丘亚(Kichwa)广播制作和接收的人种学证据来探索wayusa upina的符号重新校准,瓜玉萨的饮酒时间作为媒体表演的记录,旨在文化复兴。作为传播文化和语言知识的最重要和最危险的空间之一,多模式低地基丘亚广播制作中使用的非草书标志和材料实践重建了祖先的瓜尤萨饮酒时间,并将其与健在的长者的声音和知识指数化地联系起来。在这样做的过程中,这些程序试图建立一个记忆的反时间点,与广泛流传的危害时间点形成对比。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Signs and Society
Signs and Society Multiple-
CiteScore
1.70
自引率
0.00%
发文量
14
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