TROUVER ET PARTIR: THE MEANING OF STRUCTURE IN THE OLD FRENCH JEU-PARTI

IF 0.2 1区艺术学 0 MUSIC

EARLY MUSIC HISTORY Pub Date : 2021-10-01 DOI:10.1017/S0261127921000024

Joseph W Mason

引用次数: 0

Abstract

In their songs, trouvères referred to their own acts of composition in various ways, not least as ‘finding’ (trouver) or ‘dividing’ (partir). Both terms had a wide and varied usage in medieval French culture and carried meanings that shape the way that the melodic structure of trouvère songs might be analysed. Invention, and its sister art of memory, played a key role in rhetorical practices. The process of ‘finding’ a melody and adorning it with memorable musical figures is performed in the structure of some songs. Division was used for intellectual work, as found in the classificatory models of medieval encyclopedic works, but it also signified socio-political animosity and strife. Through close readings of text–music relationships in four jeux-partis, the cultural significance of the musical acts of invention and division in thirteenth-century Arras is assessed in order to explore why trouvères performed acts of invention and division through their songs.

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寻找和离开：旧法语jeu parti中结构的含义

在他们的歌曲中，trouvères以各种方式提及他们自己的创作行为，尤其是“寻找”（trouver）或“分裂”（partir）。这两个术语在中世纪法国文化中有着广泛而多样的用法，其含义决定了对剧团歌曲旋律结构的分析方式。发明及其姊妹的记忆艺术在修辞实践中发挥了关键作用。在一些歌曲的结构中，“找到”旋律并用令人难忘的音乐人物来装饰它的过程。划分被用于智力工作，正如中世纪百科全书式作品的分类模型中所发现的那样，但它也意味着社会政治仇恨和冲突。通过仔细阅读四首歌中的文本-音乐关系，评估了13世纪阿拉斯的发明和分裂音乐行为的文化意义，以探索剧团为什么通过歌曲表演发明和分裂行为。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

EARLY MUSIC HISTORY MUSIC-

CiteScore

0.60

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0.00%

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期刊介绍： Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.