Calling Planet Earth!!! Is anybody listening…?

IF 0.1 0 MUSIC

Jazz Research Journal Pub Date : 2022-12-20 DOI:10.1558/jazz.22954

Clare Lesser

引用次数: 0

Abstract

Travelling the space-ways, two figures. One from Saturn, one from Sirius: brought together in a speculative conversation that crosses space and time. A message to Earth: ‘Get your house in order!’ Sun Ra (1914–1993) wrote extensively throughout his life. Of his over 350 prose-poems, nearly half are directly concerned with exploring concepts of meta-reality, astro-Black identity, and lost time via the coming and consequences of ‘the cosmic age’. For Karlheinz Stockhausen (1928–2007), the ‘astro’ played out through the interpenetration of the micro and the macro in text and music. Interplanetary vibrations mingle with earthly micro-particles, the celestial and the fantastic combine in music’s transformative ability to bring profound change. Using a combination of Jacques Derrida’s (1930–2004) deconstructive technique of the animadversion, and the interview ‘cut-up’, as employed by Christian Marclay (b. 1955), this provocation will take the form of a ‘sampled cosmic conversation’ of Ra and Stockhausen’s own words.

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呼唤地球！！！有人在听吗…？

穿梭在太空中，两个人影。一个来自土星，一个来自天狼星:在一个跨越时空的思辨对话中聚集在一起。给地球的信息:“把你的房子收拾好!”孙罗(1914-1993)一生著述广泛。在他的350多首散文诗中，近一半直接涉及探索元现实的概念，天文黑人身份，以及通过“宇宙时代”的到来和后果而失去的时间。对于卡尔海因茨·斯托克豪森(Karlheinz Stockhausen, 1928-2007)来说，“宇宙”是通过文本和音乐中微观和宏观的相互渗透而发挥出来的。行星际的振动与地球上的微粒混合在一起，天上的和奇妙的结合在音乐的变革能力中，带来了深刻的变化。结合雅克·德里达(1930-2004)的解构主义批判技巧，以及克里斯蒂安·马克雷(生于1955年)所采用的采访“切割”，这种挑衅将以拉和斯托克豪森自己的话的“抽样宇宙对话”的形式出现。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Jazz Research Journal MUSIC-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Jazz Research Journal explores a range of cultural and critical views on jazz. The journal celebrates the diversity of approaches found in jazz scholarship and provides a forum for interaction and the cross-fertilisation of ideas. It is a development and extension of The Source: Challenging Jazz Criticism founded in 2004 at the Leeds College of Music. The journal aims to represent a range of disciplinary perspectives on jazz, from musicology to film studies, sociology to cultural studies, and offers a platform for new thinking on jazz. In this respect, the editors particularly welcome articles that challenge traditional approaches to jazz and encourage writings that engage with jazz as a discursive practice. Jazz Research Journal publishes original and innovative research that either extends the boundaries of jazz scholarship or explores themes which are central to a critical understanding of the music, including the politics of race and gender, the shifting cultural representation of jazz, and the complexity of canon formation and dissolution. In addition to articles, the journal features a reviews section that publishes critical articles on a variety of media, including recordings, film, books, educational products and multimedia publications.