Artistic Carved Bone From Zarichne Village

IF 0.3 4区 历史学 0 ARCHAEOLOGY
M. Serheieva, V. Zhyhola
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Abstract

In the article a decorative antler plaque with the image of griffin found in 2020 in the unfortified part of the hill-fort near Zarichne village (Trostianetskyi district, Sumy Region) is analyzed. The item comes from an object dated from the 12—13th centuries. General decorating composition of the product is carved in the through groove technique. The main elements of the griffin figure (head, wings, paws and tail) were modeled in low relief technique using elements of incised carving. A possible interpretation of the item is a pendant, bracket or other decorative piece. The style of the griffin image is quite traditional for Ancient Rus plastic art of the 11—13th c. However, the through groove decoration of bone products was not common in the bone carving tradition in the southern regions of Rus. The manufacturing technique of the item may indicate its imported origin (most likely from the Crimea or Bulgaria). It is also possible a local manufacturing as an imitation of the imported sample or by an itinerant craftsman. The symbolic meaning of the griffin images can be reduced to several aspects: 1) the connection with the authorities (governance), including in its sacred aspects (elements of the elite’s ornaments); 2) connection with military symbols (images on belt pads, saddle details); 3) security symbols on details of clothes, jewelry, both male and female; 4) the cosmic symbolism of the griffin (in particular, the image near the “world tree”) is closely related to the above. From the context of a decorative plaque from Zarichne (the unfortified part of the hill-fort, outside the social elite’s objects), one can assume its role as a product that, in addition to a purely aesthetic load, could perform protective functions in the ideas of its owner.
Zarichne村的艺术雕刻骨
在这篇文章中,分析了2020年在扎里奇内村(苏梅州特罗斯蒂亚涅茨基区)附近的山堡未装饰部分发现的一块带有狮鹫图像的装饰鹿角牌匾。这件物品来自一件12-13世纪的物品。产品的总体装饰构图采用通槽雕刻技术。狮身的主要元素(头部、翅膀、爪子和尾巴)采用低浮雕技术,使用雕刻元素进行建模。对该物品的一种可能解释是吊坠、支架或其他装饰件。格里芬图像的风格对于11-13世纪的古罗斯造型艺术来说是相当传统的。然而,骨制品的通槽装饰在罗斯南部地区的骨雕传统中并不常见。该物品的制造技术可能表明其进口来源(很可能来自克里米亚或保加利亚)。也有可能是模仿进口样品或由流动工匠在当地制造。狮鹫形象的象征意义可以归结为几个方面:1)与当局(治理)的联系,包括其神圣方面(精英饰品的元素);2) 与军事符号的联系(皮带垫上的图像、马鞍细节);3) 男女衣服、珠宝细节上的安全标志;4) 狮鹫的宇宙象征意义(特别是世界树附近的图像)与上述内容密切相关。从Zarichne的装饰性牌匾(山堡的未装饰部分,在社会精英的物品之外)的背景来看,人们可以将其作为一种产品,除了纯粹的美学负载之外,还可以在其所有者的思想中发挥保护作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
ARCHAEOLOGY
ARCHAEOLOGY ARCHAEOLOGY-
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