No Machos or Pop Stars: When the Leeds Art Experiment Went Punk by Gavin Butt (review)

IF 1.1 3区 艺术学 0 MUSIC
NOTES Pub Date : 2023-09-01 DOI:10.1353/not.2023.a905332
Marci Cohen
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引用次数: 0

Abstract

a guided tour through a wide variety of approaches in Britten scholarship. Such a book can serve as an effective introduction to the composer for music students and as a valuable resource for professional scholars searching for a new perspective on the composer. Also included are excellent summaries of British musical life before and during Britten’s life, which are helpful to both groups. That said, this broad approach resulted in a relative lack of in-depth score analysis of his works, but, as indicated earlier, this was not part of the editors’ expressed intent. By focusing on context, the volume does not examine the music itself, instead focusing on extramusical, societal aspects. With Benjamin Britten in Context, Stroeher and Vickers have provided a platform from which new researchers can embark in order to further explore Britten’s life, work, and the world in which he lived. In doing so, they have proven to be among the foremost advocates for the continued study of the composer and his music in what they have dubbed the second century of Britten scholarship.
没有大男子主义和流行明星:当利兹艺术实验走向朋克,作者:加文·巴特
在导游的带领下参观了布里顿奖学金的各种方法。这样一本书可以为音乐专业的学生提供对作曲家的有效介绍,也可以为寻找作曲家新视角的专业学者提供宝贵的资源。还包括对布里顿生前和期间英国音乐生活的精彩总结,这些总结对两个群体都有帮助。也就是说,这种宽泛的方法导致了对他的作品相对缺乏深入的评分分析,但正如之前所指出的,这不是编辑们表达的意图的一部分。通过关注背景,这本书没有考察音乐本身,而是关注音乐之外的社会方面。通过Benjamin Britten在Context中的研究,Stroeher和Vickers为新的研究人员提供了一个平台,以便进一步探索Britten的生活、工作和他所生活的世界。在这样做的过程中,他们被证明是继续研究这位作曲家及其音乐的最重要倡导者之一,他们称之为布里顿学术的第二个世纪。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
NOTES
NOTES MUSIC-
CiteScore
0.50
自引率
22.20%
发文量
86
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