{"title":"Why Being Right Doesn’t Make You Good: The Representation of Science and Religion in South Park","authors":"Edward Thomas Bankes","doi":"10.3138/jrpc.2021-0034","DOIUrl":null,"url":null,"abstract":"Recent scholarship, particularly within the sphere of science communication, has sought to provide an empirical map of the relationship between science and religion, often seeking to explain the persistence of religious belief and practice within a technoscientific world. The framing of science and religion in this context often presumes that the social relevance of both science and religion lies primarily in the epistemic claims both make about the natural world and can be captured through explicit discussion of the relationship between the two. This article argues that other meanings of science and religion are possible by highlighting a case that appears to have little interest in questions of reality and epistemology: the animated comedy South Park. Within the show, scientific and religious discourse and imagery are frequently positioned as being enmeshed within larger social issues, gaining meaning from the ways in which the characters use knowledge for a variety of ends, usually resulting in moral failure. As a story about how to be a good American, South Park positions science and religion as sites where morality can be tested, mediated by a sense of goodness that is presented to the audience as self-evident. While the generality of this specific construction of science and religion can be challenged, the show illustrates the need for a broader or more extensive examination of the multiple meanings that science and religion might have within the public sphere and popular culture, which are far broader than a specific discussion of their epistemic relationship.","PeriodicalId":38290,"journal":{"name":"Journal of Religion and Popular Culture","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2023-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Religion and Popular Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/jrpc.2021-0034","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0
Abstract
Recent scholarship, particularly within the sphere of science communication, has sought to provide an empirical map of the relationship between science and religion, often seeking to explain the persistence of religious belief and practice within a technoscientific world. The framing of science and religion in this context often presumes that the social relevance of both science and religion lies primarily in the epistemic claims both make about the natural world and can be captured through explicit discussion of the relationship between the two. This article argues that other meanings of science and religion are possible by highlighting a case that appears to have little interest in questions of reality and epistemology: the animated comedy South Park. Within the show, scientific and religious discourse and imagery are frequently positioned as being enmeshed within larger social issues, gaining meaning from the ways in which the characters use knowledge for a variety of ends, usually resulting in moral failure. As a story about how to be a good American, South Park positions science and religion as sites where morality can be tested, mediated by a sense of goodness that is presented to the audience as self-evident. While the generality of this specific construction of science and religion can be challenged, the show illustrates the need for a broader or more extensive examination of the multiple meanings that science and religion might have within the public sphere and popular culture, which are far broader than a specific discussion of their epistemic relationship.