Frege, Thomae, and Formalism

Q2 Arts and Humanities
Richard Lawrence
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引用次数: 0

Abstract

Mathematical formalism is the the view that numbers are “signs” and that arithmetic is like a game played with such signs. Frege’s colleague Thomae defended formalism using an analogy with chess, and Frege’s critique of this analogy has had a major influence on discussions in analytic philosophy about signs, rules, meaning, and mathematics. Here I offer a new interpretation of formalism as defended by Thomae and his predecessors, paying close attention to the mathematical details and historical context. I argue that for Thomae, the formal standpoint is an algebraic perspective on a domain of objects, and a “sign” is not a linguistic expression or mark, but a representation of an object within that perspective. Thomae exploits a shift into this perspective to give a purely algebraic construction of the real numbers from the rational numbers. I suggest that Thomae’s chess analogy is intended to provide a model for such shifts in perspective.
弗雷格、托马斯与形式主义
数学形式主义认为数字是“符号”,算术就像是用这些符号玩的游戏。弗雷格的同事托马用国际象棋的类比为形式主义辩护,弗雷格对这种类比的批评对分析哲学中关于符号、规则、意义和数学的讨论产生了重大影响。在这里,我对托马及其前任所捍卫的形式主义进行了新的解释,并密切关注数学细节和历史背景。我认为,对托马来说,形式观点是对对象领域的代数观点,而“符号”不是语言表达或标记,而是该观点中对象的表示。托马利用这种观点的转变,从有理数中给出了实数的纯代数构造。我认为,托马的国际象棋类比旨在为这种视角的转变提供一个模型。
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来源期刊
Journal of the History of Analytical Philosophy
Journal of the History of Analytical Philosophy Arts and Humanities-Philosophy
CiteScore
1.00
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审稿时长
26 weeks
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