Contemporizing the National Style in Chinese Animation: The Case of Nezha (2019)

IF 0.3 2区艺术学 0 FILM, RADIO, TELEVISION

Animation-An Interdisciplinary Journal Pub Date : 2021-11-01 DOI:10.1177/17468477211049354

T. W. Whyke, Joaquin Lopez Mugica, M. Brown

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引用次数: 3

Abstract

In this article, the authors explore the popular animation Nezha (2019), examining the idea that it typifies the ‘national style’. Expanding the work of other scholars who have demonstrated the changeability of the ‘national style’, here they examine this notion in regard to the way in which Nezha (2019) represents ‘Chineseness’ at this particular socio-political moment. Methodologically, they focus their analysis largely upon the film’s narrative and aesthetics, drawing on a number of reviews as counterpoints for the way in which it was interpreted to situate it in popular discourses. The authors argue that Nezha (2019) presents a national image in which traditions and modernity are interwoven, and the focus upon the ‘technological’ – its digitality – constitutes a refiguring of animation in China as symbolic of modernity. Narratively and aesthetically mediating between the past and the present, Nezha (2019) embodies a ‘national style’ which is on one hand hybrid in its inter/nationality, but also culturally delimited in terms of which cultural heritages are held up as emblematic of the nation.

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中国动画民族风格的当代化——以《内扎》为例（2019）

在这篇文章中，作者探讨了流行动画《Nezha》（2019），考察了它代表“民族风格”的观点。扩展了其他学者的工作，他们已经证明了“民族风格”的可变性，在这里，他们研究了这一概念，即在这个特定的社会政治时刻，Nezha（2019）代表“中国性”的方式。在方法论上，他们的分析主要集中在电影的叙事和美学上，并引用了一些评论作为对其在流行话语中的解读方式的对比。作者认为，《Nezha》（2019）呈现了一个传统与现代交织的国家形象，对“技术性”——其数字化——的关注构成了中国动画作为现代性象征的重塑。在叙事和美学上介于过去和现在之间，《Nezha》（2019）体现了一种“民族风格”，一方面是跨民族的混合，但也在文化上受到限制，文化遗产被视为民族的象征。

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来源期刊

Animation-An Interdisciplinary Journal FILM, RADIO, TELEVISION-

CiteScore

0.70

自引率

25.00%

发文量

期刊介绍： Especially since the digital shift, animation is increasingly pervasive and implemented in many ways in many disciplines. Animation: An Interdisciplinary Journal provides the first cohesive, international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice. The journal"s scope is very comprehensive, yet its focus is clear and simple. The journal addresses all animation made using all known (and yet to be developed) techniques - from 16th century optical devices to contemporary digital media - revealing its implications on other forms of time-based media expression past, present and future.