Writing memory: Three visual diaries related to ‘pharmacy’

Abstract

Diaries offer a private space to play tic-tac-toe with intellectual, artistic and personal complexities, practice wielding or calling upon language, confess amorous feelings, sharpen the switchblades of resentment, and so on. Accompanied by this general outline of what a diary is for, the diaries made by contemporary Chinese artists related to COVID-19 are neither written for themselves or for their future readers. It should belong to the third category as a public diary for living contemporary people. It challenges the concept of ‘author’ both in literal and art discourse and might make the identity of the diary more and more obscure. Are these diaries still private art? Or before it was created, has it already become public art? This article will focus on visual diaries made by three contemporary Chinese artists, and study how the artists ‘write’ their own ‘memory’.