Ontopoetics and the Environmental Philosophy of John Moriarty

IF 0.1 0 RELIGION
Nora Ward
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引用次数: 0

Abstract

I explore the environmental philosophy of Irish philosopher-poet, John Moriarty, particularly focusing on his use of narrative to convey philosophical principles and ideals relating to a sustainable co-existence. It is through story that Moriarty redirects environmental philosophy from a domain of knowledge in an epistemic objectivist sense to one of imagination, inviting the reader to experientially cultivate categories of perception and identification that supplement and transcend dominant forms of scientific-reductionism. Moriarty’s philomythical approach attests to an inherent strangeness, invoking those aspects of reality that lie outside the causal paradigms of human understanding, and problematizing a posture of human hubris in relation to the land. To draw out these characteristics, I locate Moriarty’s work in the framework of ontopoetics, suggesting that Moriarty is an environment animateur of sorts, opening up the symbolic and poetic potential of the landscape, and fostering relations of meaningful engagement with the natural world.
本体论与莫里亚蒂的环境哲学
我探索了爱尔兰哲学家兼诗人约翰·莫里亚蒂的环境哲学,特别关注他使用叙事来传达与可持续共存有关的哲学原则和理想。正是通过故事,莫里亚蒂将环境哲学从认识论客观主义意义上的知识领域重新引导到想象领域,邀请读者体验地培养感知和识别的类别,补充和超越科学还原论的主导形式。莫里亚蒂的哲学方法证明了一种内在的陌生感,唤起了人类理解的因果范式之外的现实的那些方面,并对人类与土地有关的傲慢姿态提出了问题。为了找出这些特征,我将莫里亚蒂的作品置于本体学的框架中,表明莫里亚蒂是某种类型的环境动画师,他打开了景观的象征和诗意潜力,并促进了与自然世界有意义的接触的关系。
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
23
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