W uniwersum „nie ma”. Transmedialne „prawdy” Mariusza Szczygła wobec przemian poetyki reportażu literackiego

Katarzyna Frukacz
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引用次数: 0

Abstract

The paper concerns the documentary project focused on the books Projekt: prawda [Project: Truth] and Nie ma [Not There] by Mariusz Szczygieł. The publications are discussed in terms of the characteristics of a transmedia story in which the original books develop through a narrative connection to a complex of complementary press, internet, stage and audio sources. The author provides an overview of the main components of Szczygieł’s project and an analysis of the interaction programmed between them. She subsequently refers this to the assumptions of what is referred to as transmedia genology in order to show the changes in the poetics of Polish literary reportage under the influence of media digitisation and convergence.
这篇论文关注的是Mariusz Szczygieł的纪录片项目,该项目聚焦于《Projekt:prawda[项目:真相]》和《Nie ma[不在那里]》。这些出版物是根据跨媒体故事的特点进行讨论的,在跨媒体故事中,原著通过与互补的媒体、互联网、舞台和音频来源的叙事联系而发展起来。作者概述了Szczygieł项目的主要组成部分,并分析了它们之间的互动程序。随后,她将其引用到所谓的跨媒体基因组学的假设中,以展示在媒体数字化和融合的影响下波兰文学报告文学诗学的变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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18
审稿时长
27 weeks
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