Aesthetic Experience in the Concepts of R. Ingarden, V. Schapp and K. Stavenhagen

Q3 Arts and Humanities
E. Popov
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Abstract

The article summarizes the views of representatives of the phenomenological aesthetics of the twentieth century and the most famous students of Husserl. It is the aesthetic experience that becomes one of the key concepts in the concepts of Ingarden, Schapp and Stavenhagen. In them, aesthetic experience is associated with the ability of subjects to “ontologize” things, to individual and collective reactions to the status of things and objects. That is why the emphasis in the works of representatives of aesthetics is placed on the wisdom of subjects and determining their readiness for aesthetic experience. Such readiness can manifest itself in the beliefs and moral choices of subjects. The article concludes about the ways of «ontologization» of things proposed by thinkers. The views of thinkers in these matters were influenced by the fascination with the philosophy of history, ethics and partly the philosophy of religion. Socially oriented motives are traced in their concepts of aesthetic experience. In addition, thinkers defined the multidimensionality of aesthetic experience by offering their own constructions for measuring or fixing it. The article examines the structure of aesthetic experience proposed by them, and also makes judgments about some possibilities of applying approaches in assessing the formation of aesthetic experience in the modern world.
英格登、沙普、斯塔文哈根观念中的审美体验
本文总结了二十世纪现象学美学的代表人物和胡塞尔最著名的学生的观点。审美体验是英格登、沙普和斯塔文哈根的核心概念之一。其中,审美体验与主体对事物进行“本体论”的能力有关,与个体和集体对事物和客体状态的反应有关。这就是为什么美学代表人物的作品强调主体的智慧,并决定他们是否准备好接受美学体验。这种准备可以体现在主体的信仰和道德选择上。文章总结了思想家们提出的关于事物“本体论”的方法。思想家们对这些问题的看法受到了对历史哲学、伦理学以及部分宗教哲学的迷恋的影响。以社会为导向的动机可以追溯到他们的审美体验概念中。此外,思想家们通过提供自己的结构来衡量或固定审美体验,从而定义了审美体验的多维性。本文考察了他们提出的审美体验结构,并对在现代世界中应用方法评估审美体验形成的一些可能性做出了判断。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
RUDN Journal of Philosophy
RUDN Journal of Philosophy Arts and Humanities-Philosophy
CiteScore
0.20
自引率
0.00%
发文量
55
审稿时长
12 weeks
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