French connection UK: the Dinard film festival and the politics of culture

IF 0.2 0 FILM, RADIO, TELEVISION
N. Archer
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引用次数: 0

Abstract

ABSTRACT This article looks at the thirty-year history of the Dinard Film Festival (until 2018, the Dinard Festival of British Film), with a particular focus on the financial support provided by bodies with industrial and/or cultural remits: specifically, the UK Film Council, the British Council and the British Film Institute. As I discuss, Dinard is a significant case study for understanding the British film-industrial relationship with France, but also for analysing the interrelationship between economic and cultural policy-making in the British film industry. As I also argue, looking at the history of the Dinard festival offers a significant example of the ways such showcases for ‘national cinema’ are bound up with the shifting contexts of film-industry policymaking. As I conclude, the changing economic fortunes in British film, and the economic contexts informing UK film policy, have not only impacted on Dinard, but also given the festival a renewed outlook – as well as a more political one in the recent contexts of the UK’s EU referendum and ‘Brexit’.
法国连接英国:迪纳尔电影节与文化政治
本文回顾了迪纳尔电影节30年的历史(直到2018年,英国电影迪纳尔电影节),特别关注工业和/或文化机构提供的财政支持:特别是英国电影委员会,英国文化协会和英国电影学院。正如我所讨论的,迪纳尔是了解英国与法国电影工业关系的一个重要案例,也是分析英国电影工业中经济和文化决策之间相互关系的一个重要案例。正如我所说的,回顾迪纳尔电影节的历史,我们可以看到这样的“国家电影”展示是如何与电影产业政策制定的变化背景联系在一起的。正如我总结的那样,英国电影不断变化的经济命运,以及影响英国电影政策的经济背景,不仅影响了迪纳尔电影节,而且给电影节带来了新的前景——在最近英国脱欧公投和“英国退欧”的背景下,电影节也有了更多的政治意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studies in European Cinema
Studies in European Cinema FILM, RADIO, TELEVISION-
CiteScore
0.80
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42
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