Media Critique in the Age of Gillray: Scratches, Scraps, and Spectres, by Joseph Monteyne

IF 0.4 1区艺术学 0 ART

ART BULLETIN Pub Date : 2022-10-02 DOI:10.1080/00043079.2022.2104105

Amanda Lahikainen

引用次数: 0

Abstract

6. Jeltje Dijkstra, Origineel en kopie: een onderzoek naar de navolging van de Meester van Flémalle en Rogier van der Weyden (PhD diss., University of Amsterdam, 1990), 24. Molly Faries sketches the centrality of the study of copies and contracts to this field. She cites in particular Johannes Taubert’s 1956 dissertation, “Zur kunstwissenschaftlichen Auswertung von naturwissenschaftlichen Gemäldeuntersuchungen” (Toward an Aesthetic Analysis of the Scientific Examination of Paintings) along with Dijkstra’s 1990 dissertation; Faries, “Reshaping the Field: The Contribution of Technical Studies,” in Early Netherlandish Painting at the Crossroads: A Critical Look at Current Methodologies, ed. Maryan W. Ainsworth (New York: Metropolitan Museum of Art, 2001), 89–91. See Peter Lukehart, introduction to Bellavitis, Making Copies in European Art, 13, which brings this bibliography up to date.

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《吉拉伊时代的媒体评论：划痕、刮擦和斑点》，Joseph Monteyne著

6.Jeltje Dijkstra，Origineel en kopie:een onderzoek naar de navolging van de Meester van Flémalle en Rogier van der Weyden（阿姆斯特丹大学博士，1990年），24。Molly Faries概述了复印件和合同研究在该领域的中心地位。她特别引用了约翰内斯·陶伯特1956年的论文“Zur kunstwissenschaftlichen Auswertung von naturwissenschavtlichen Gemäldeuntersuchungen”（走向绘画科学检验的美学分析），以及Dijkstra 1990年的论文；Faries，“重塑领域：技术研究的贡献”，载于《十字路口的早期荷兰绘画：对当前方法的批判性审视》，Maryan W.Ainsworth主编（纽约：大都会艺术博物馆，2001年），89–91。参见Peter Lukehart，Bellavitis导论，《在欧洲艺术中复制》，13，该书使本参考书目与时俱进。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

ART BULLETIN ART-

CiteScore

0.70

自引率

28.60%

发文量

期刊介绍： The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December