Awarding the Peterloo Medal: The Radical Free Press and the Manchester Massacre, 1819-1821

IF 0.1 4区 文学 0 POETRY
Franca Dellarosa
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引用次数: 0

Abstract

ABSTRACT In the aftermath of the Peterloo massacre, the ongoing collaboration between William Hone and George Cruikshank in the milieu of the London-based radical press resulted in a number of wildly satirical hybrid publications, including A Slap at Slop and the Bridge Street Gang, a dazzling parody of a four-page daily newspaper (1821). In a unique combination of text and image, the two mock newspaper entries dealing with the Peterloo events lay bare the abysmal power logic underlying the making of that tragedy, and construct a scathing indictment of both state violence and the pervasive rhetoric of self-celebration underlying the exercise of state power. Building on the expanding scholarship on William Hone and radical print culture, this article addresses some questions implied in the debunking process these texts enact, which reach back to include war and abolitionist rhetoric, as well as Robert Southey’s role as Poet Laureate.
颁发彼得卢奖章:激进的自由媒体和曼彻斯特大屠杀,1819-1821
彼得卢大屠杀之后,威廉·霍恩和乔治·克鲁克尚克在伦敦激进媒体的环境中持续合作,导致了许多疯狂讽刺的混合出版物,包括《一记耳光》和《桥街帮》,这是一部令人震惊的模仿四页日报的作品(1821年)。这两篇关于彼得卢事件的模拟报纸文章以一种独特的文字和图像的结合方式,揭示了造成这场悲剧的可怕的权力逻辑,并对国家暴力和国家权力行使背后普遍存在的自我庆祝修辞提出了严厉的指控。基于对威廉·霍恩和激进印刷文化的不断扩展的学术研究,本文解决了在这些文本的揭穿过程中隐含的一些问题,这些问题可以追溯到战争和废奴主义的修辞,以及罗伯特·索塞作为桂冠诗人的角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
15
期刊介绍: The Keats-Shelley Review has been published by the Keats-Shelley Memorial Association for almost 100 years. It has a unique identity and broad appeal, embracing Romanticism, English Literature and Anglo-Italian relations. A diverse range of items are published within the Review, including notes, prize-winning essays and contemporary poetry of the highest quality, around a core of peer-reviewed academic articles, essays and reviews. The editor, Professor Nicholas Roe, along with the newly established editorial board, seeks to develop the depth and quality of the contributions, whilst retaining the Review’s distinctive and accessible nature.
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