{"title":"Awarding the Peterloo Medal: The Radical Free Press and the Manchester Massacre, 1819-1821","authors":"Franca Dellarosa","doi":"10.1080/09524142.2021.1972579","DOIUrl":null,"url":null,"abstract":"ABSTRACT In the aftermath of the Peterloo massacre, the ongoing collaboration between William Hone and George Cruikshank in the milieu of the London-based radical press resulted in a number of wildly satirical hybrid publications, including A Slap at Slop and the Bridge Street Gang, a dazzling parody of a four-page daily newspaper (1821). In a unique combination of text and image, the two mock newspaper entries dealing with the Peterloo events lay bare the abysmal power logic underlying the making of that tragedy, and construct a scathing indictment of both state violence and the pervasive rhetoric of self-celebration underlying the exercise of state power. Building on the expanding scholarship on William Hone and radical print culture, this article addresses some questions implied in the debunking process these texts enact, which reach back to include war and abolitionist rhetoric, as well as Robert Southey’s role as Poet Laureate.","PeriodicalId":41387,"journal":{"name":"KEATS-SHELLEY REVIEW","volume":"35 1","pages":"188 - 199"},"PeriodicalIF":0.1000,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"KEATS-SHELLEY REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09524142.2021.1972579","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"POETRY","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT In the aftermath of the Peterloo massacre, the ongoing collaboration between William Hone and George Cruikshank in the milieu of the London-based radical press resulted in a number of wildly satirical hybrid publications, including A Slap at Slop and the Bridge Street Gang, a dazzling parody of a four-page daily newspaper (1821). In a unique combination of text and image, the two mock newspaper entries dealing with the Peterloo events lay bare the abysmal power logic underlying the making of that tragedy, and construct a scathing indictment of both state violence and the pervasive rhetoric of self-celebration underlying the exercise of state power. Building on the expanding scholarship on William Hone and radical print culture, this article addresses some questions implied in the debunking process these texts enact, which reach back to include war and abolitionist rhetoric, as well as Robert Southey’s role as Poet Laureate.
期刊介绍:
The Keats-Shelley Review has been published by the Keats-Shelley Memorial Association for almost 100 years. It has a unique identity and broad appeal, embracing Romanticism, English Literature and Anglo-Italian relations. A diverse range of items are published within the Review, including notes, prize-winning essays and contemporary poetry of the highest quality, around a core of peer-reviewed academic articles, essays and reviews. The editor, Professor Nicholas Roe, along with the newly established editorial board, seeks to develop the depth and quality of the contributions, whilst retaining the Review’s distinctive and accessible nature.