Будущее русского балета: взгляд из начала ХХ века

IF 0.3 3区文学 0 LITERATURE, SLAVIC

RUSSIAN LITERATURE Pub Date : 2023-01-01 DOI:10.1016/j.ruslit.2023.02.001

Наталья Коршунова (Natal’ia Korshunova)

引用次数: 0

Abstract

At the end of the nineteenth century and the beginning of the twentieth many thought that ballet was in crisis. An opposition could be observed between the “old” classical ballet and the “new” ballet, represented in the first place by Michel Fokine and Alexander Gorskii. In books and magazines critics discussed what should happen to Russian ballet in the future. Many of these predictions were later fulfilled. The critics managed to “foresee” the advent of abstract ballet (pioneered by George Balanchine), the epoch of so-called “dramballet”, and the gradual independence of character dance in 1930–1940.

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俄罗斯芭蕾舞的未来：二十世纪初的观点

在19世纪末和20世纪初，许多人认为芭蕾正处于危机之中。在“旧的”古典芭蕾和“新”芭蕾之间可以观察到一种对立，首先以米歇尔·福金和亚历山大·戈尔斯基为代表。在书籍和杂志上，评论家们讨论了俄罗斯芭蕾舞的未来。其中许多预言后来都应验了。评论家们成功地“预见”到抽象芭蕾的出现(由乔治·巴兰钦开创)，所谓的“戏剧芭蕾”的时代，以及1930-1940年间角色舞蹈的逐渐独立。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

RUSSIAN LITERATURE LITERATURE, SLAVIC-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Russian Literature combines issues devoted to special topics of Russian literature with contributions on related subjects in Croatian, Serbian, Czech, Slovak and Polish literatures. Moreover, several issues each year contain articles on heterogeneous subjects concerning Russian Literature. All methods and viewpoints are welcomed, provided they contribute something new, original or challenging to our understanding of Russian and other Slavic literatures. Russian Literature regularly publishes special issues devoted to: • the historical avant-garde in Russian literature and in the other Slavic literatures • the development of descriptive and theoretical poetics in Russian studies and in studies of other Slavic fields.