{"title":"Collection Storage: A Window into the Richness of Cultural Heritage.","authors":"Yael Kreplak, François Mairesse","doi":"10.1080/13500775.2021.1956780","DOIUrl":null,"url":null,"abstract":"Abstract Gaël de Guichen is a key figure in the world of conservation and collection storage. His career has taken him from the Lascaux cave in France's Vézère Valley to the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM) in Rome, Italy. At the latter, he developed the concept of ‘preventive conservation' and set up numerous study programmes for heritage preservation, including the RE-ORG method, which has since become an international standard in collection storage. In his words, ‘a museum's storage room is the place where unexhibited collections are brought together in optimal conditions, ready to be displayed in galleries, studied by specialists, and, if possible, seen by the public.’ In this interview, he tells us how he came to this definition and what it implies. His journey, however, is part of a larger story: one that also paves the way for the future of collection storage around the world.","PeriodicalId":45701,"journal":{"name":"MUSEUM INTERNATIONAL","volume":"73 1","pages":"226 - 235"},"PeriodicalIF":0.4000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13500775.2021.1956780","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"MUSEUM INTERNATIONAL","FirstCategoryId":"1090","ListUrlMain":"https://doi.org/10.1080/13500775.2021.1956780","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract Gaël de Guichen is a key figure in the world of conservation and collection storage. His career has taken him from the Lascaux cave in France's Vézère Valley to the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM) in Rome, Italy. At the latter, he developed the concept of ‘preventive conservation' and set up numerous study programmes for heritage preservation, including the RE-ORG method, which has since become an international standard in collection storage. In his words, ‘a museum's storage room is the place where unexhibited collections are brought together in optimal conditions, ready to be displayed in galleries, studied by specialists, and, if possible, seen by the public.’ In this interview, he tells us how he came to this definition and what it implies. His journey, however, is part of a larger story: one that also paves the way for the future of collection storage around the world.
摘要Gaël de Guichen是保护和收藏领域的关键人物。他的职业生涯将他从法国韦兹河谷的拉斯科洞穴带到了意大利罗马的国际文化财产保护和修复研究中心(ICCROM)。在后者,他提出了“预防性保护”的概念,并制定了许多遗产保护研究计划,包括RE-ORG方法,该方法已成为藏品储存的国际标准。用他的话说,“博物馆的储藏室是在最佳条件下将未展出的藏品汇集在一起的地方,准备在画廊展出,由专家研究,如果可能的话,还可以让公众看到。”在这次采访中,他告诉我们他是如何得出这个定义的,以及它意味着什么。然而,他的旅程是一个更大故事的一部分:这也为世界各地藏品存储的未来铺平了道路。
期刊介绍:
In its new revised form Museum International is a forum for intellectually rigorous discussion of the ethics and practices of museums and heritage organizations. The journal aims to foster dialogue between research in the social sciences and political decision-making in a changing cultural environment. International in scope and cross-disciplinary in approach Museum International brings social-scientific information and methodology to debates around museums and heritage, and offers recommendations on national and international cultural policies.