Sara Lidman's Secular Reading of Original Sin

IF 0.1 3区文学 0 LITERARY THEORY & CRITICISM

PHILOSOPHY AND LITERATURE Pub Date : 2021-06-29 DOI:10.1353/phl.2021.0006

Nora Hämäläinen

引用次数: 1

Abstract

Abstract:This paper takes a plunge into the novelistic universe of Swedish writer Sara Lidman's epic of modernity in the novel suite The Railway, focusing on her secular reinterpretation of original sin and the fall, and her rendering of the fundamental agonism of human existence, set in a frame of social change, liberal hope, and voracious capitalism. It considers Lidman's thinking as a suggestion for the kind of new conception of original sin that Iris Murdoch called for.

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萨拉·利德曼对原罪的世俗解读

摘要：本文在小说组曲《铁路》中深入探讨了瑞典作家萨拉·利德曼现代性史诗的小说世界，重点探讨了她对原罪和堕落的世俗重新诠释，以及她对人类生存的根本痛苦的再现，背景是社会变革、自由主义希望和贪婪的资本主义。它认为利德曼的思想是对Iris Murdoch所呼吁的那种新的原罪概念的一种建议。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

PHILOSOPHY AND LITERATURE Multiple-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： For more than a quarter century, Philosophy and Literature has explored the dialogue between literary and philosophical studies. The journal offers a constant source of fresh, stimulating ideas in the aesthetics of literature, theory of criticism, philosophical interpretation of literature, and literary treatment of philosophy. Philosophy and Literature challenges the cant and pretensions of academic priesthoods by publishing an assortment of lively, wide-ranging essays, notes, and reviews that are written in clear, jargon-free prose. In his regular column, editor Denis Dutton targets the fashions and inanities of contemporary intellectual life.