Landscape Strategies in Architecture

D. Jauslin
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引用次数: 2

Abstract

This thesis explores the ways in which landscape is relevant as a concept for designing architecture. Buildings that have been designed like landscapes have become a topic in contemporary architecture. The apparent distinction between architecture and landscape is questioned in exemplary theories and new designs. The core of this thesis is three case studies of architectural designs that use landscape strategies. The analytical model for landscape architectural composition that Steenbergen and Reh (2003) developed for the European gardens is applied as in drawing analysis of these building's inner space composition. By distinguishing the landscape composition into a four layer model - ground form, spatial form, metaphorical form and programmatic form - the analysis will alter the reading of three architectural projects. Rem Koolhaas and OMA's unbuilt Jussieu design for two university libraries in Paris of 1992 is visualised for the first time as it could have looked if built. The Rolex Learning Centre at EPF Lausanne was declared 'landscape' as architecture by its designers Japanese Architects Kazuyo Sejima and Ryue Nishizawa (SANAA) at the opening in 2010. The City of Culture of Galicia in Santiago de Compostela by American architect Peter Eisenman was designed in 1999 in a process of layering - similar to the layer model analysis of this thesis. This thesis will interpret and compare the three architectural designs. It distinguishes design strategies, methods and landscape attitudes that are specific or commonly applied to the projects. Original drawing analysis and critique reveals unexplored potentials for landscape strategies in the architectural discipline.
建筑中的景观策略
本文探讨了景观作为建筑设计概念的相关方式。被设计成景观的建筑已经成为当代建筑的一个主题。建筑和景观之间的明显区别在典范理论和新设计中受到质疑。本文的核心是三个运用景观策略的建筑设计案例研究。Steenbergen和Reh(2003)为欧洲花园开发的景观建筑组成分析模型被应用于这些建筑内部空间组成的绘图分析。通过将景观构成区分为四层模型——地面形式、空间形式、隐喻形式和程序形式——分析将改变对三个建筑项目的解读。雷姆·库哈斯(Rem Koolhaas)和OMA 1992年为巴黎两所大学图书馆设计的未建成的Jussieu设计首次被可视化,因为如果建成的话,它看起来可能会是什么样子。位于洛桑EPF的劳力士学习中心在2010年开业时被其设计师日本建筑师Sejima Kazuyo和Ryue Nishizawa(SANAA)宣布为“景观”建筑。美国建筑师彼得·艾森曼(Peter Eisenman)于1999年在圣地亚哥德孔波斯特拉设计的加利西亚文化之城(City of Culture of Galicia in Santiago de Compostella)是在一个分层的过程中设计的,类似于本文的层模型分析。本文将对这三种建筑设计进行解读和比较。它区分了特定或常用于项目的设计策略、方法和景观态度。原始绘画分析和评论揭示了建筑学科中景观策略尚未探索的潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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