Hip-hop from dancers’ viewpoint: Dance, lifestyle, and/or subculture?

Snežana Damjanović, B. Popović, Ivana M. Milovanović, Tijana Šćepanović
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引用次数: 0

Abstract

The paper presents the results of field research on the population of dancers – members of the hip-hop community who are “contestants” in battles. The field research was carried out in April 2022 on a sample of dancers aged 17 to 40 (N = 31). The research results indicate that the hip-hop community in Serbia is small, but that such battles in specific forms contribute to the community’s maintenance and expansion. Battles also play a significant role in the progression and expression of dancers as individuals. Dancers consider hip-hop to be not only an art form but much more, hip-hop is synonymous with a lifestyle and a “way of looking at the world” for dancers. Although the research was carried out on a small sample, it represents the author’s pioneering contribution to a deeper understanding of the hip-hop community in Serbian society. It also indicates the need to carry out compatible research in the future.
从舞者的角度看嘻哈:舞蹈、生活方式和/或亚文化?
这篇论文展示了对舞者群体的实地研究结果——嘻哈社区的成员,他们是战斗中的“参赛者”。该实地研究于2022年4月在17至40岁的舞者样本中进行(N = 31)。研究结果表明,塞尔维亚的嘻哈社区规模较小,但这种特殊形式的战斗有助于社区的维护和扩展。战斗在舞者个人的进步和表达中也起着重要的作用。舞者认为嘻哈不仅是一种艺术形式,更重要的是,嘻哈是一种生活方式的代名词,也是舞者“看待世界的方式”。虽然这项研究是在一个小样本上进行的,但它代表了作者对深入了解塞尔维亚社会中的嘻哈社区的开创性贡献。这也表明未来需要进行兼容的研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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7
审稿时长
8 weeks
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