Marianne and Anarchy: The Artistic Legacy of the Paris Commune in New Caledonia

IF 0.6 0 ARCHAEOLOGY

Journal of Contemporary Archaeology Pub Date : 2019-01-17 DOI:10.1558/JCA.33450

L. Lagarde

引用次数: 0

Abstract

The uprising known as the Paris Commune, in 1871, resulted in the deportation of several thousand insurgents to New Caledonia until global amnesty was granted in 1880. During their exile, some produced art and crafted objects inspired by their environment or past experiences, which offer a powerful insight into the Commune and its aftermath, a revolutionary attempt long perceived as "without images" (Tillier 2004). Furthermore, the Communards’ stay in New Caledonia nourished the regular (non-political) convicts’ arts and crafts, maintaining caricature, satire and hidden messages on the artefacts, long after the return of the exiled. Thus, we can still identify pieces in link with the revolutionary/anarchist discourse of the Paris Commune, although crafted as late as 1910-1920. The legacy of the Communards to the history of New Caledonia thus goes beyond their literary production, which has until now been the main focus of academic research.

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玛丽安与无政府状态:新喀里多尼亚巴黎公社的艺术遗产

1871年被称为巴黎公社的起义导致数千名叛乱分子被驱逐到新喀里多尼亚，直到1880年获得全球大赦。在他们流亡期间，一些人创作艺术和制作物品的灵感来自于他们所处的环境或过去的经历，这些作品提供了对公社及其后果的有力洞察，这是一种长期被视为“没有图像”的革命尝试(Tillier 2004)。此外，公社人在新喀里多尼亚的逗留滋养了普通(非政治)罪犯的艺术和手工艺，在流亡者返回后很长一段时间内，这些艺术品上仍保留着漫画、讽刺和隐藏的信息。因此，我们仍然可以识别出与巴黎公社的革命/无政府主义话语有关的作品，尽管这些作品是在1910-1920年创作的。因此，公社人对新喀里多尼亚历史的影响超出了他们的文学作品，而文学作品迄今一直是学术研究的主要焦点。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of Contemporary Archaeology ARCHAEOLOGY-

CiteScore

1.20

自引率

0.00%

发文量

期刊介绍： The Journal of Contemporary Archaeology is the first dedicated, international, peer-reviewed journal to explore archaeology’s specific contribution to understanding the present and recent past. It is concerned both with archaeologies of the contemporary world, defined temporally as belonging to the twentieth and early twenty-first centuries, as well as with reflections on the socio-political implications of doing archaeology in the contemporary world. In addition to its focus on archaeology, JCA encourages articles from a range of adjacent disciplines which consider recent and contemporary material-cultural entanglements, including anthropology, art history, cultural studies, design studies, heritage studies, history, human geography, media studies, museum studies, psychology, science and technology studies and sociology. Acknowledging the key place which photography and digital media have come to occupy within this emerging subfield, JCA includes a regular photo essay feature and provides space for the publication of interactive, web-only content on its website.