{"title":"A conversation with Leila Aboulela","authors":"R. Ahmed","doi":"10.1080/17449855.2023.2216491","DOIUrl":null,"url":null,"abstract":"ABSTRACT This conversation with Leila Aboulela is shaped primarily by an interest in her work’s position in the literary marketplace, especially in the UK. It explores Aboulela’s considerable success as a Muslim writer whose fictional worlds are infused with Islam, and asks what this might tell us about the place of faith within the marketplace. The discussion ranges from the author’s journey to publication through the roles played by editors and designers in the production of her fiction to the marketing and reception of her work, also exploring the question of whether and how to translate faith to a secular readership. Mindful of shifts in the reception of writers of colour, including Muslim-heritage writers, through Aboulela’s long career, it concludes with a consideration of a new generation of writers whose work does not shy away from Islamic perspectives, suggesting an openness to unfamiliar world views among readers and some publishers.","PeriodicalId":44946,"journal":{"name":"Journal of Postcolonial Writing","volume":"59 1","pages":"377 - 390"},"PeriodicalIF":0.2000,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Postcolonial Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17449855.2023.2216491","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT This conversation with Leila Aboulela is shaped primarily by an interest in her work’s position in the literary marketplace, especially in the UK. It explores Aboulela’s considerable success as a Muslim writer whose fictional worlds are infused with Islam, and asks what this might tell us about the place of faith within the marketplace. The discussion ranges from the author’s journey to publication through the roles played by editors and designers in the production of her fiction to the marketing and reception of her work, also exploring the question of whether and how to translate faith to a secular readership. Mindful of shifts in the reception of writers of colour, including Muslim-heritage writers, through Aboulela’s long career, it concludes with a consideration of a new generation of writers whose work does not shy away from Islamic perspectives, suggesting an openness to unfamiliar world views among readers and some publishers.
期刊介绍:
The Journal of Postcolonial Writing is an academic journal devoted to the study of literary and cultural texts produced in various postcolonial locations around the world. It explores the interface between postcolonial writing, postcolonial and related critical theories, and the economic, political and cultural forces that shape contemporary global developments. In addition to criticism focused on literary fiction, drama and poetry, we publish theoretically-informed articles on a variety of genres and media, including film, performance and other cultural practices, which address issues of relevance to postcolonial studies. In particular we seek to promote diasporic voices, as well as creative and critical texts from various national or global margins.