Breaking the rules of the game

IF 0.1 0 FILM, RADIO, TELEVISION

Short Film Studies Pub Date : 2019-04-01 DOI:10.1386/SFS.9.2.157_1

Cynthia Felando

引用次数: 0

Abstract

El Adiós is a sincere portrait of a dutiful servant as she tends to her deceased employer’s body and home for the last time, while enduring the routine class-based offenses delivered by her employer’s daughter. This article notes how camerawork and mise en scène emphasize the protagonist’s sensitive and ambiguous position.

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打破游戏规则

El Adiós是一位尽职尽责的仆人的真实写照，她最后一次照料已故雇主的尸体和家，同时忍受着雇主女儿的日常阶级犯罪。这篇文章注意到摄影作品和mise en scène是如何强调主人公敏感而模糊的立场的。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Short Film Studies FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The main purposes of SFS are: To stimulate ongoing research on individual short films as a basis for a better understanding of the art form To provide a flow of cutting-edge teaching materials that can be used in courses in which short films are either studied or produced, at film schools or universities To offer fresh inspiration to filmmakers and other professionals working with short films in connection with festivals, national film institutes, regional film centres, etc. While the principal focus is on the short fiction film, other classic forms – such as the short documentary, the short experimental film and the short animation film – are also covered from time to time. In each issue, two productions are singled out for comprehensive presentation and close study. For each film, the reader will find production data, an interview with the director, a shot-by-shot breakdown of the film with a still illustrating every shot, a number of peer-reviewed articles that illuminate the film from a variety of perspectives and a link enabling subscribers to view the film.