Body as Text: Challenging Marginalized Identities through Literary Performance in Contemporary Brazilian Saraus

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
A. Gibson
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引用次数: 0

Abstract

Abstract:This article explores contemporary literary saraus in São Paulo, Brazil. Although saraus can be traced back to the nineteenth century with the arrival of the Portuguese court to Brazil, today they often occupy botecos (bars) in peripheral neighborhoods and create completely new relationships between author, audience, living space, and literary creation. During these open-mic nights on the margins, the embodied word offers a visceral way of knowing and interpreting literature. This article explores performance in the space of Brazilian saraus as a component of the literary text offering visual, auditory, and kinesthetic knowledge. Conflict, emotion, and corporeal manifestation are the foundations of sarau literature, and individual and cultural knowledge housed in the body as memories in the senses becomes civic consciousness when writing moves from the page, the tablet, or the cell phone to the body of the author.
作为文本的身体:当代巴西萨劳斯的文学表演挑战边缘身份
摘要:本文探讨了巴西圣保罗的当代文学创作。尽管saraus可以追溯到19世纪葡萄牙宫廷来到巴西,但今天他们经常占据周边社区的botecos(酒吧),并在作者、观众、生活空间和文学创作之间创造全新的关系。在这些边缘的开放麦克风之夜,这个具体化的词提供了一种发自内心的了解和解释文学的方式。本文探讨了巴西saraus空间中的表演,作为文学文本的一个组成部分,提供视觉、听觉和动觉知识。冲突、情感和物质表现是萨劳文学的基础,当写作从页面、平板电脑或手机转移到作者的身体时,作为记忆的个体和文化知识就变成了公民意识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
STUDIES IN LATIN AMERICAN POPULAR CULTURE
STUDIES IN LATIN AMERICAN POPULAR CULTURE HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
10
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