‘Candy is Now Flanders’

Danielle Gravon
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Abstract

This article examines the various layered concepts of foreignness constructed by ‘t Historiael Journael, a travel account of the first Dutch envoy to Ceylon from 1602 to 1604. It focuses on a map of Ceylon included in the account and positions it in relation to other cartographic projects commissioned by leaders of the early Dutch Republic. It is argued that the Dutch conceived of religious and cartographic images as opposing types of representation and used the stylistic conventions and ideological concepts underpinning these different modes of picturing to construct divergent religious and political identities. It is also suggested that Johann Theodor De Bry’s popular India Orientalis, in which an abridged version of the travel account appears, smooths out the complex layers of political, religious and geographic difference constructed in the original text.
“糖果现在是佛兰德斯”
本文考察了1602年至1604年第一位荷兰驻锡兰公使的游记《Journael Journaeel》构建的各种层次的外来概念。它侧重于账户中包含的锡兰地图,并将其与早期荷兰共和国领导人委托的其他制图项目联系起来。有人认为,荷兰人将宗教图像和地图图像视为对立的表现类型,并使用支撑这些不同绘画模式的风格惯例和意识形态概念来构建不同的宗教和政治身份。也有人认为,约翰·西奥多·德·布里(Johann Theodor De Bry)广受欢迎的《印度东方学》(India Orientalis)中出现了旅行记述的删节版,消除了原文中构建的政治、宗教和地理差异的复杂层次。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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