MIGRATIONS, POLITICAL BORDERS AND THE DIGITAL REALM

Q3 Arts and Humanities
Diacritica Pub Date : 2019-05-28 DOI:10.21814/DIACRITICA.388
P. Pereira
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引用次数: 0

Abstract

Many studies have addressed the issue of migration and displacement, one of themain geopolitical challenges of our time, but far fewer have analysed it using aninterdisciplinary framework and selecting literary and artistic practices from atransnational context. !e purpose of this paper is to describe the way in whichthe artists use the specificity of medium and mechanism in their projects to reflecton the current migratory crisis and forced migration, to critique the securitizationor the politics of immigration in recent years and to explore a tactical use of technologiesin order to expand public consciousness and political debate. It is directlyfocused on the migratory processes involving Mexicans who go to the United Statesand its connection to the complex political imaginary of these regions, and on therelationship between identity and marginalization, particularly the influence ofthe conceptualization of migrants as the Other in contemporary European society.Based on the analysis of a series of case studies both from a theoretical and froman artistic point of view –, this research intends to understand how these projectsexplore forms of critical intervention, dissent or disruption of a dominant semioticregime by stimulating critical thinking about consolidated narratives and sign systemsof identity and difference.
移民、政治边界和数字领域
许多研究都解决了移民和流离失所问题,这是我们这个时代的主要地缘政治挑战之一,但很少有人用跨学科的框架来分析它,并从跨国背景下选择文学和艺术实践。本文的目的是描述艺术家如何在他们的项目中使用媒介和机制的特殊性来反映当前的移民危机和被迫移民,批评近年来的移民证券化或政治,并探索技术的战术使用,以扩大公众意识和政治辩论。它直接关注墨西哥人前往美国的移民过程及其与这些地区复杂的政治想象的联系,以及身份与边缘化之间的关系,特别是移民在当代欧洲社会中作为他者的概念化的影响。基于从理论和艺术角度对一系列案例研究的分析,本研究旨在了解这些项目如何通过激发对统一叙事和身份与差异的符号系统的批判性思考来探索对占主导地位的符号学制度的批判性干预、异议或破坏形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Diacritica
Diacritica Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
36
审稿时长
24 weeks
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