Antigone’s Collective Body Myth and Rewritings in Sara Uribe’s Antígona González

Laura Alicino
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引用次数: 0

Abstract

In this article we will analyse the use of intertextuality in Sara Uribe’s Antígona González. From a theoretical point of view, we will focus on the relationship between Antígona González and both Sophocles’ myth and other European and Latin-American reinterpretations of it, trying to set the structural function of myth as a textual device, which tries to undermine its permanent structure. This specific use of myth will be therefore connected with the thematic dimension of Antigone’s body, in order to investigate the meaning of its collective re-use in the Mexican recontextualisation proposed by Uribe, together with all the esthetical, ethical and political implications derived from that.
Antigone的集体身体神话及其在Sara Uribe的Antígona González作品中的改写
在这篇文章中,我们将分析Sara Uribe的《Antígona González》中互文性的使用。从理论的角度,我们将重点研究Antígona González与索福克勒斯神话以及其他欧洲和拉丁美洲对其的重新解释之间的关系,试图将神话的结构功能设定为一种文本手段,试图破坏其永久结构。因此,这种对神话的具体使用将与安蒂戈涅身体的主题维度联系在一起,以研究其在乌里韦提出的墨西哥重新文本化中集体重复使用的意义,以及由此产生的所有美学、伦理和政治影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Rassegna Iberistica
Rassegna Iberistica Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
22
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