Voices from a distance: Sámi short film production in 2020

IF 0.1 0 FILM, RADIO, TELEVISION
Agnieszka Kiejziewicz
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引用次数: 0

Abstract

The sudden outbreak of the COVID-19 pandemic influenced many aspects of film production, which is especially visible in the example of local cinematographies. In this article, I investigate pandemic influence on depicting homeland, memory and locality in Sámi short films. The primary concern in the pre-2000 Sámi short films was the marginalization of Sámi culture, as well as tradition-modernization oppositions. However, in the productions from 2020, a switch into the discourse about the homeland and coping with pandemic in the far north is visible. In this article, I describe productions from 2020, dividing them into three thematic categories: films about the return to the homeland, films focusing on lockdown isolation and films based on genre conventions (such as comedy or horror), used for creating a discursive approach to pandemic. In the proposed article, I analyse Sámi films from the collection of International Sámi Film Institute, produced in Norway, Sweden or Finland.
远方的声音:Sámi 2020年的短片制作
新冠肺炎疫情的突然爆发影响了电影制作的许多方面,这在当地电影摄影的例子中尤为明显。在这篇文章中,我调查了疫情对萨米短片中描绘家园、记忆和地方的影响。2000年前萨米短片的主要关注点是萨米文化的边缘化,以及传统现代化的对立。然而,在2020年的制作中,可以看到关于祖国和应对遥远北方疫情的话语发生了转变。在这篇文章中,我描述了2020年的作品,将其分为三个主题类别:关于回归祖国的电影、专注于封锁隔离的电影和基于类型惯例的电影(如喜剧或恐怖),用于创造应对疫情的散漫方法。在拟议的文章中,我分析了国际萨米电影学会收藏的在挪威、瑞典或芬兰制作的萨米电影。
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来源期刊
Short Film Studies
Short Film Studies FILM, RADIO, TELEVISION-
CiteScore
0.20
自引率
0.00%
发文量
14
期刊介绍: The main purposes of SFS are: To stimulate ongoing research on individual short films as a basis for a better understanding of the art form To provide a flow of cutting-edge teaching materials that can be used in courses in which short films are either studied or produced, at film schools or universities To offer fresh inspiration to filmmakers and other professionals working with short films in connection with festivals, national film institutes, regional film centres, etc. While the principal focus is on the short fiction film, other classic forms – such as the short documentary, the short experimental film and the short animation film – are also covered from time to time. In each issue, two productions are singled out for comprehensive presentation and close study. For each film, the reader will find production data, an interview with the director, a shot-by-shot breakdown of the film with a still illustrating every shot, a number of peer-reviewed articles that illuminate the film from a variety of perspectives and a link enabling subscribers to view the film.
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