What graffiti arts and tags tell us about urban identity in Nouméa (New Caledonia)

IF 0.5 3区 社会学 Q3 ANTHROPOLOGY
Geneix-Rabault Stéphanie
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引用次数: 0

Abstract

This article aims to describe and analyse graffiti arts and tags in the city of Nouméa, the capital of New Caledonia, a multicultural and multilingual city which is home to people who have moved from many different areas of New Caledonia and other countries of the South Pacific. I aim to understand how the citizens of Nouméa use graffiti and tags to construct their plural identities and identify themselves as Nouméens, as residents of Nouméan suburbs, and as people from other regions, with continued attachment and identification to these areas (tribal villages, islands, countries) of origin. How do they express these multiple senses of belonging? Which visual symbols, words, linguistic codes and norms do they use? How can this literacy help younger generations simultaneously reclaim their urban spaces (‘I'm from here and elsewhere’, ‘I have my place in this city!’) and assert their Oceanic identities?

新喀里多尼亚努姆海萨的涂鸦艺术和标签告诉我们的城市身份
本文旨在描述和分析新喀里多尼亚首都努姆萨玛的涂鸦艺术和标签,努姆萨玛是一个多元文化和多语言的城市,这里的人们来自新喀里多尼亚和南太平洋其他国家的许多不同地区。我的目标是了解努姆萨玛的公民如何使用涂鸦和标签来构建他们的多元身份,并将自己定位为努姆萨玛人,作为努姆萨玛郊区的居民,以及作为来自其他地区的人,对这些地区(部落村庄,岛屿,国家)的原始依恋和认同。他们是如何表达这些多重归属感的?他们使用哪些视觉符号、文字、语言代码和规范?这种文化素养如何帮助年轻一代同时重新获得他们的城市空间(“我来自这里和其他地方”,“我在这个城市有我的位置!”)并维护他们的大洋国身份?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.50
自引率
12.50%
发文量
38
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