Toward a New History of Classical Scholarship

Q2 Arts and Humanities
Blaž Zabel
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引用次数: 0

Abstract

here were times when classical philologists studied the history of classics merely as a pastime. This meant that a certain methodological approach was preferred, which emphasized the continuity of the scholarly tradition from antiquity to the present. This was the argument of two pioneering studies, the three-volumeHistory of Classical Scholarship (1903–8) written by Sir John Edwin Sandys and the still widely read Geschichte der Philologie (1921) by the discipline’s doyen, Ulrich WilamowitzMoellendorff. Another consequence was that the study of the discipline’s history was likened to philological research: both required similar training, attention to historical evidence, and philological scrutiny. This can be observed already in Sandys and Wilamowitz, but it becamemore prevalent in the work of scholars who followed in their footsteps, for example, in the History of Classical Scholarship from 1300 to 1850 (1976) by Rudolf Pfeiffer, which continues to be referenced widely, or in Hugh Lloyd-Jones’s Blood for the Ghosts: Classical Influences in the Nineteenth and Twentieth Centuries
走向新的古典学术史
有些时候,古典语文学家研究古典史只是一种消遣。这意味着更倾向于采用某种方法论方法,强调学术传统从古代到现在的连续性。这是两项开创性研究的论点,一项是约翰·埃德温·桑迪斯爵士撰写的三卷本《古典学术史》(1903-8),另一项是该学科元老乌尔里希·威拉莫维茨·莫伦多夫撰写的至今仍被广泛阅读的《哲学史》(1921)。另一个后果是,对该学科历史的研究被比作文献学研究:两者都需要类似的训练、对历史证据的关注和文献学的仔细审查。Sandys和Wilamowitz已经观察到了这一点,但在追随他们脚步的学者的工作中,这一点变得更加普遍,例如鲁道夫·菲弗的《1300年至1850年(1976年)的古典学术史》(History of Classical Scholarship from 1300 to 1850),该书继续被广泛引用,或者休·劳埃德·琼斯的《鬼之血:19世纪和20世纪的古典影响》
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来源期刊
History of Humanities
History of Humanities Arts and Humanities-Arts and Humanities (all)
CiteScore
0.60
自引率
0.00%
发文量
16
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