Domitian, Literary Restriction, and the Poetics of Catasterism and Divinity in Statius's Silvae 1.1 and 1.2

Henry C. K. Tang
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引用次数: 0

Abstract

Abstract:This paper questions the post-Flavian reception of Domitian by exploring the imagery of catasterism in the Silvae's first two poems. 1.1 solemnly celebrates Domitian's colossal equestrian statue by overlapping imagery of catasterism with apotheosis. This is typical for imperial panegyric, but also key to Domitian's divine self-portrayal. The tone becomes playful in 1.2, which celebrates the nuptials of the book's patron, suggestively named Stella. I suggest that the contrastive effect deflates the grandeur of apotheosis, which risks offending the emperor. Domitian's lack of punitive response, however, indicates that he was not as stringent with literary censorship as posterity has suggested.
论斯塔提乌斯《森林》1.1 - 1.2中的多米提安、文学限制与灾变与神性诗学
摘要:本文通过对西尔瓦前两首诗中的隐逸意象的探讨,对后弗拉维时代对多米提安的接受提出了质疑。1.1庄严地庆祝多米提安的巨大马术雕像,将圣训与圣训的意象重叠在一起。这是典型的帝王潘尼格里克,但也是多米尼克神圣的自我描绘的关键。在1.2中,语气变得有趣起来,这是为了庆祝这本书的赞助人斯特拉的婚礼。我认为这种对比效果削弱了神化的宏伟,这有冒犯皇帝的风险。然而,Domitian没有做出惩罚性的回应,这表明他对文学审查并不像后人所说的那样严格。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.30
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