Leisure, Culture and Territory: A Social Cartography in Two Suburbs of Belo Horizonte, Brazil

IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Agustín Arosteguy, C. Gomes
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引用次数: 0

Abstract

Abstract The objective of this study was to investigate the articulation among leisure, culture and territory in the urban contexts of the suburbs, through the social and affective bonds that people establish with the place where they live, work and enjoy leisure. The focus of this analysis is the appropriation of leisure by people who work and attend events at cultural associations that are recognized as “Culture Point” in Belo Horizonte, which is the capital of the state of Minas Gerais, in Brazil. The methodology had a qualitative approach and included bibliographic and field research in two neighborhoods in the outskirts of that city, which included observations and interviews with eight people connected with the two cultural associations surveyed. The results were organized through the discussion of four categories: Territory Identity, Collective Memory, Sense of Place (Belonging) and Community Leisure. The survey showed that leisure and culture play a crucial role in connecting human beings with the territory. In this context, each social subject expresses, both consciously and unconsciously, their subjectivity in close relationship with the peripheral areas in which they live.
休闲、文化和地域:巴西贝洛奥里藏特两个郊区的社会地图
摘要本研究的目的是通过人们与他们生活、工作和享受休闲的地方建立的社会和情感纽带,调查郊区城市环境中休闲、文化和地域之间的联系。这项分析的重点是在巴西米纳斯吉拉斯州首府贝洛奥里藏特被公认为“文化点”的文化协会工作和参加活动的人对休闲的占用。该方法采用定性方法,包括在该市郊区的两个社区进行书目和实地研究,其中包括对与接受调查的两个文化协会有关的八个人的观察和采访。研究结果通过对四个类别的讨论进行了整理:地域认同、集体记忆、地方感(归属感)和社区休闲。调查显示,休闲和文化在将人类与领土联系起来方面发挥着至关重要的作用。在这种背景下,每一个社会主体都在有意识和无意识地表达他们的主体性,并与他们所生活的外围区域密切相关。
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来源期刊
JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY
JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.50
自引率
0.00%
发文量
33
期刊介绍: How will technology change the arts world? Who owns what in the information age? How will museums survive in the future? The Journal of Arts Management, Law, and Society has supplied answers to these kinds of questions for more than twenty-five years, becoming the authoritative resource for arts policymakers and analysts, sociologists, arts and cultural administrators, educators, trustees, artists, lawyers, and citizens concerned with the performing, visual, and media arts, as well as cultural affairs. Articles, commentaries, and reviews of publications address marketing, intellectual property, arts policy, arts law, governance, and cultural production and dissemination, always from a variety of philosophical, disciplinary, and national and international perspectives.
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